What is Verbatim Performance?
Verbatim performance is the precise portrayal of an actual person using their exact speech and gestural patterns as a data source for investigation, literally “word for word” & “gesture for gesture.” Read more about verbatim performance and the VPL mission statement.
Recent Projects by VPL
The Migration Project
Who Gave That Inaugural Address?
Not Sure I'm Free To
That's Not a Partisan Feeling, That's Patriotic
Bertolt Brecht and 21st Century Verfemdung
We're Not There Yet
News and Events
More Than Just the Movement
Drawing directly from interviews conducted in Fall 2025, this performance is a verbatim documentary theatre investigation that invites audiences to consider how people residing in the United States experience migration.
60 Years of Impact: NYU Steinhardt’s Educational Theatre Program Celebrates a Legacy of Civic Engagement
Joe Salvatore Publishes How-To Book on Ethnodrama
NYU Celebrates Constitution Day with Debut of Verbatim Performance Lab Piece
VPL in the News
NPR - Could You Match Inaugural Address Quotes to the Presidents Who Spoke Them?
Our most recent experiment, The Inauguration Project, focused on how audiences engage with a president’s inauguration speech when the president’s identity is unknown. We took excerpts from five inaugurals since 1969 and had actors who are different-bodied than the presidents who delivered them perform them verbatim for an audience. We then invited the audience to guess which president was speaking. We conducted this performance experiment in New York City, Washington, DC, and Austin, Texas, with slight variations each time. One theme emerged: the decoupling of the president’s identity from the speech allowed the audience to hear the similarities between the presidents and their messages rather than their partisan differences.
The Washington Post - How Gender Affects Voter Perception
Analysts say Trump faces risks heightened by gender when he debates Harris
As Donald Trump prepares to debate Kamala Harris, analysts warn that gender dynamics raise the stakes, with Trump risking backlash if he appears aggressive or bullying. Harris, as a Black woman, faces her own challenge of balancing assertiveness with likability. Past incidents, like Trump’s 2016 behavior toward Hillary Clinton, serve as warnings. NYU professor Joe Salvatore, who co-led a gender-swapped reenactment of a Clinton-Trump debate, was surprised that viewers found the female Trump “strong” and “concise,” revealing that gender can shape voter perceptions in unexpected ways.
The Philadelphia Inquirer - The "Gal from Penn"
During the December 2023 congressional hearing on campus antisemitism, three female university presidents—Liz Magill (Penn), Claudine Gay (Harvard), and Sally Kornbluth (MIT)—faced intense scrutiny, prompting questions about whether gender influenced their treatment. While officials denied bias, critics pointed to moments like Rep. Glenn Grothman’s reference to Magill as “the gal from Penn” and the disproportionate backlash that followed. NYU professor Joe Salvatore noted that reactions to Magill’s composure, such as her smiling under pressure, reflected how women are socially conditioned to navigate high-stakes situations differently—and are often judged more harshly for it.
The Washington Post - Whatever You Are Be A Good One
Ahead of the 2022 midterms, NYU professor Joe Salvatore launched Whatever You Are, Be a Good One, an interactive performance using real interviews to explore political and social divides. Performed by students in the Verbatim Performance Lab, the show invites audience participation and aims to build empathy through personal stories. “We’re going to find that folks are a little closer together,” Salvatore said, challenging the idea that Americans are as polarized as media and politics suggest.
Youth Theatre Journal - Verbatim Documentary Theatre in the Classroom
Drama teachers often attempt to create documentary theatre with their students but without the necessary structure and framework. The Verbatim Performance Lab (VPL) creates verbatim documentary theatre performances that disrupt political, cultural, and social narratives using existing cultural media and interviews as a site of inquiry. VPL offers a specific methodology of theatre-making to schools that guides youth through the process of devising their own original interview-based verbatim documentary theatre performances. This article outlines the pedagogical methods VPL implements with students through this process of arts-based inquiry and articulates three key innovations identified through the experience of creating work with youth.
Courses
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MPAET-GE 2114 Creating Ethnodrama & Documentary Theatre 3 Credits
Focuses on techniques used to create ethnodrama and documentary theatre scripts composed from interview transcripts, field notes, journal entries, and/or print and media artifacts. Through readings, literature reviews, data collection and analysis, performance of data, and construction of scripts, students gain skills to create ethnodrama and documentary theatre scripts. Perspectives on the aesthetics, ethics, limitations, and challenges associated with the forms are also explored. Coursework is informed by the mission and work of the Verbatim Performance Lab.
- Department: Music and Performing Arts Professions
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MPAET-GE 2117 Verbatim Performance Lab Internship 1–3 Credits
Course provides students with internship experience via arts-based research and
performance projects with the Verbatim Performance Lab (VPL). Students support all stages of the VPL process including project development, data collection, creation and production, dissemination, and assessment. Students attend biweekly lab meetings, receive individualized supervision and mentoring, give an oral presentation on their assigned project at a lab meeting, and generate an original written project proposal incorporating VPL’s techniques. Permission of
instructor required.- Department: Music and Performing Arts Professions
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MPAET-GE 2115 The Ethnoactor & Verbatim Performance 3 Credits
Course focuses on creating live and/or mediated ethnotheatrical verbatim performances using various source materials such as interview transcripts and recorded broadcasts. Through theoretical readings, performance viewings, source material selection, and performance creation, participants acquire analysis skills and ethnoacting techniques used to create verbatim performances. Participants gain insights into the aesthetics, ethics, opportunities, and challenges associated with the verbatim style, and an understanding of its value as a tool for education and activism.
- Department: Music and Performing Arts Professions
Contact Us
Joe Salvatore, Lab Creator and Director js1655@nyu.edu
Keith R. Huff, Associate Lab Director keithrhuff@nyu.edu