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This 40-45 credit program equips you to pursue advanced study in critical areas of music technology, including musical acoustics, computer music composition, digital signal theory, and digital audio processing. You’ll take at least one music class with a performance component, enabling you to study with guest performers, utilize cutting-edge instruments and facilities, and gain hands-on experience with live production. By the completion of the degree, you’ll gain both theoretical understanding and practical industry experiences, in areas like recording and production, game audio, acoustics and signal processing, music perception and cognition, electronic and computer music, and screen scoring.

Culminating Experience

The master’s program culminates in a written thesis that reflects an original contribution to the field of music technology, allowing you to bring your studies directly to bear on the research area that most interests you.. The thesis entails a public oral demonstration and defense.

Program Requirements

Course Title Credits
Core Course Requirements
MPATE-GE 2599Fundamentals of Digital Signal Theory3
MPATE-GE 2598Fundamentals of Digital Signal Theory Lab1
MPATE-GE 2600Graduate Seminar in Music Technology3
MPATE-GE 2036Adv Musical Acoust3
MPATE-GE 2047Advanced Computer Music3
MPATE-GE 2601Colloquy in Music Technology3
MPATE-GE 2602Thesis in Music Technology I1
MPATE-GE 2603Thesis in Music Technology II1
Performance Requirements 1
Select 1-3 credits from the following:1-3
MPATE-GE 2609
Electronic Music Performance
MPATE-GE 2031
Distributed Performance
MPATE-GE 2038
Creating With Interact Media
Or a 1 credit ensemble course, by audition
Electives
Select 21-24 elective credits, by advisement21-24
Total Credits40-45
1

Each student is required to complete a performance requirement which consists of a music class involving performance. This may be taken in the form of an ensemble for 1-3 credits. Please note that classes take in private instruction do not count toward the performance requirement. Options include the courses listed above or an ensemble course, by audition, for 1 credit.

Students must demonstrate proficiency in Music Theory, Aural Skills, and Music History through a diagnostic exam or the completion of appropriate coursework in addition to degree requirements. 

Additional Program Requirements

The master’s program culminates with the submission and defense of an individual thesis document, to be completed under the supervision of one of the full-time Music Technology faculty members. The thesis should reflect an original contribution to the field of music technology, bringing the students’ classwork experiences and interests together with their potential career paths. Possible research areas include but are not limited to: technology-based performance and composition techniques, interactive music systems, spatial audio, tools for computer music, music information retrieval, digital audio effects, new recording, mixing, mastering, or production techniques, software development for music applications, etc.

Proposal

During the second semester, students enroll in MPATE-GE 2601 Colloquy in Music Technology, where they are required to (1) identify a thesis adviser from amongst the full-time Music Technology faculty, (2) discuss ideas for their work and following review and approval by the faculty adviser, (3) submit a 2-page proposal containing: thesis title, brief introduction to the topic, motivations, goal and general work plan.

Thesis Draft

Once this proposal is approved, students begin on the project and enroll in MPATE-GE 2602 Thesis in Music Technology I to prepare the thesis, as well as discuss research methodologies and current literature in the field. Students should schedule regular meetings with their adviser.

Thesis Final Draft

In the final semester, students enroll in MPATE-GE 2603 Thesis in Music Technology II to finalize their thesis, make revisions and work on their presentation for defense. The thesis itself should be approximately 60 pages long, documenting the idea’s purpose and development, and its musical, aesthetic and technical implications. This document, to be completed by the end of the final year of studies, will be evaluated using the standard criteria for scholarly work. All sources for quotations and paraphrases must be documented. You may use any of the standard citation styles (MLA, Chicago, etc.), subject to your thesis adviser’s approval, provided you consistently follow a single style throughout the thesis. Creative graphics are encouraged to enhance the presentation’s visual impact. The title page should show the thesis title and the student name within the top half to two-thirds of the page. The bottom portion of the page should contain the following:

Submitted in partial fulfillment of the requirements for the

Master of Music in Music Technology
in the Department of Music and Performing Arts Professions
in The Steinhardt School
New York University
Adviser: The Name Of Your Adviser
Reader: The Name Of Your Second Reader
[DATE:yyyy/mm/dd]

Oral Defense and Approval

After completing the document, students will submit copies of the thesis to both adviser and second reader and schedule a date for a public oral presentation, where the work is to be demonstrated and defended. Before this defense, students will secure a Thesis Approval Form from The Office of Graduate Studies, 82 Washington Square East, 2nd Floor.

Upon successful completion of this defense, the student will submit two (2) printed copies, and one digital copy (as a .pdf) of the finished document (including any amendments or suggestions resulting from the defense process) to the Music Technology Advisement Office. Additionally, the Thesis Approval Form will be completed and signed by the thesis adviser and second reader, then filed in the Registrar’s office. Please note that the Registrar's Office requires this form to be signed before approving the student’s graduation.

Sample Plan of Study

Plan of Study Grid
1st Semester/TermCredits
MPATE-GE 2599 Fundamentals of Digital Signal Theory 3
MPATE-GE 2598 Fundamentals of Digital Signal Theory Lab 1
MPATE-GE 2600 Graduate Seminar in Music Technology 3
Elective 3
Elective 3
 Credits13
2nd Semester/Term
MPATE-GE 2047 Advanced Computer Music 3
MPATE-GE 2601 Colloquy in Music Technology 3
MPATE-GE 2036 Adv Musical Acoust 3
Elective 3
Elective 3
 Credits15
3rd Semester/Term
Performance Requirement 1
Elective 3
Elective 3
Elective 3
 Credits10
4th Semester/Term
MPATE-GE 2602 Thesis in Music Technology I 1
MPATE-GE 2603 Thesis in Music Technology II 1
 Credits2
 Total Credits40

Basic competence in music technology, history, and theory is a prerequisite for all graduate students in the program. Entering graduate students are required to take advisory exams in these areas. You must take the placement exams before beginning your first semester. The music technology, history, and theory placement exams can only be taken once. If you do not pass, you will be required to take remedial classes (up to a maximum of 9 credits) to fulfill the requirements. These classes and credits will not count toward your degree. See more information on music theory and history placement exams. See more information on music history and theory placement exams.

Based on placement results, you may need:

MPATC-UE 18
MPATC-UE 19
MPATC-GE 2930
MPATC-GE 2931

Music History option, choose one:

MPATC-UE 1077
MPATC-GE 2472

MPATC-GE 2472 counts towards Guided Elective credits.

The master’s program culminates with the submission and defense of an individual thesis document, to be completed under the supervision of one of the full-time Music Technology faculty members. The thesis should reflect an original contribution to the field of music technology, bringing the students’ classwork experiences and interests together with their potential career paths. Possible research areas include but are not limited to: technology-based performance and composition techniques, interactive music systems, spatial audio, tools for computer music, music information retrieval, digital audio effects, new recording, mixing, mastering, or production techniques, software development for music applications, etc.

Proposal: During the second semester, students enroll in MPATE-GE 2601 – Colloquy, where they are required to (1) identify a thesis adviser from amongst the full-time Music Technology faculty, (2) discuss ideas for their work and following review and approval by the faculty adviser, (3) submit a 2-page proposal containing: thesis title, brief introduction to the topic, motivations, goal and general work plan.

Thesis Draft: Once this proposal is approved, students begin on the project and enroll in the MPATE-GE 2602 to prepare the thesis, as well as discuss research methodologies and current literature in the field. Students should schedule regular meetings with their advisor.

Thesis Final Draft: In the student’s final semester, they will enroll in MPATE-GE 2603 – to finalize their thesis, make revisions and work on their presentation for defense. The thesis itself should be approximately 60 pages long, documenting the idea’s purpose and development, and its musical, aesthetic and technical implications. This document, to be completed by the end of the final year of studies, will be evaluated using the standard criteria for scholarly work. All sources for quotations and paraphrases must be documented. You may use any of the standard citation styles (MLA, Chicago, etc.), subject to your thesis adviser’s approval, provided you consistently follow a single style throughout the thesis. Creative graphics are encouraged to enhance the presentation’s visual impact. The title page should show the thesis title and the student name within the top half to two-thirds of the page. The bottom portion of the page should contain the following:

Submitted in partial fulfillment of the requirements for the

Master of Music in Music Technology
in the Department of Music and Performing Arts Professions
in The Steinhardt School
New York University
Adviser: The Name Of Your Adviser
Reader: The Name Of Your Second Reader
[DATE:yyyy/mm/dd]

Oral Defense and Approval: After completing the document, students will submit copies of the thesis to both adviser and second reader and schedule a date for a public oral presentation, where the work is to be demonstrated and defended. Before this defense, students will secure a Thesis Approval Form from The Office of Graduate Studies, 82 Washington Square East, 2nd Floor, available here: Master's Thesis Approval Form

Upon successful completion of this defense, the student will submit two (2) printed copies, and one digital copy (as a .pdf) of the finished document (including any amendments or suggestions resulting from the defense process) to the Music Technology Advisement Office. Additionally, the Thesis Approval Form will be completed and signed by the thesis adviser and second reader, then filed in the Registrar’s office. Please note that the Registrar's Office requires this form to be signed before approving the student’s graduation.

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