Skip to main content

Search NYU Steinhardt

NYU Steinhardt Celebrates Alan Menken

Posted

An evening of music and storytelling at the NYU Skirball Center honored the legendary composer and distinguished alum.

Alan Menken sits at a piano

On April 28 at the NYU Skirball Center, NYU celebrated one of the University’s most distinguished alumni, composer Alan Menken (ARTS ’72, HON ’00), for an evening of music and storytelling.

With a career spanning Broadway and film, Menken’s legendary works include classic Disney songs like ”A Whole New World,” ”Beauty and the Beast,” ”Part of Your World,” and ”Under the Sea,” as well as Broadway hits from Little Shop of HorrorsNewsiesAladdin, and Sister Act, among many others.

“This was an unforgettable evening of music and storytelling that honored Menken’s extraordinary legacy,” says Jack H. Knott, Gale and Ira Drukier Dean at NYU Steinhardt. “The event also highlighted how, through its programs and faculty, NYU Steinhardt continues to educate and inspire the next generation of composers and conductors for Broadway, film, and theatre.”

A large group of students sings. Behind them, Ted Sperling conducts an orchestra.

The evening featured performances of Menken’s most beloved compositions performed by the NYU Broadway Orchestra, directed by Ted Sperling, music adjunct faculty in NYU Steinhardt’s Department of Music and Performing Arts Professions (MPAP). This first-of-its-kind orchestral program is specifically geared toward NYU students who are interested in the music of and perhaps a career on Broadway; several alumni from the orchestra are currently playing in shows.  

“One of the important things about Alan’s work is that he’s transferred the American musical tradition of Broadway to film, which is crucial in preserving the legacy of the American musical,” says Marilyn Nonken, professor of music and music education and chair of MPAP. “What was once very localized to New York City is now reaching massive audiences and becoming much more accessible to so many people, teaching new and younger audiences this important and distinctive American art form and culture.”

“In the late 1960s, making a musical film out of a Broadway show had fallen out of favor, but Alan and his collaborators brought Broadway back to the movies,” says Sperling. “When Disney started making essentially book musicals on film, like Beauty and the Beast, it started a revival, and the music also made an easy transition to Broadway.”

A female singer sings into a microphone, as other singers watch on.

In addition to the orchestral performances from Menken’s repertoire, the event also included participation by past and present Menken Scholars, whose studies are supported through a scholarship endowed by Menken for highly talented students in NYU Steinhardt’s music composition programs.

“The role we play as we grow older is to blaze a path for the young people who will follow us, and this scholarship is a way for me to give back,” says Menken, whose music assistant and right-hand man, Aaron Kenny (MM ’14), was a Menken Scholar. “NYU became the cocoon from which my career started, and it’s now allowing me to become a catalyst for some incredible composers, lyricists, and arrangers, and it’s very gratifying to see their journeys.”

“Being able to meet Alan and his incredible team through the Menken Scholars program was surreal,” says Tatyana Richaud (BM ’26), one of this year’s recipients alongside Miles Tobel (BM ’26), Josh Conway (MM ’26), and Johnum Palado (MM ’26). “I grew up on Alan Menken’s music and I am so interested in the world of musical theatre. It was fascinating to work with him.”

Alan Menken stands on stage and bows

Richaud’s short film titled Earth’s Second Moon was screened at the event, accompanied by the NYU Broadway Orchestra and a choir of vocalists. Former Menken Scholars Miu Sato (BM ’25), composer and pianist; Jenny Rowekamp (MM ’19), music editor at Pixar; and Jordi Nus (MM ’16), composer, also participated in the event.

The event also included Menken sharing personal reflections on his creative journey, offering insight into the inspirations and stories behind his legendary works. Originally a pre-med major at NYU, Menken had always wanted to be a composer, highlighting the message to students that “there are no rules except to do what you love.”

“NYU is like family to me; my time there allowed me to become part of an amazing community in which I was able to develop my skills as a songwriter and composer in my own way,” says Menken. “I hope that my career inspires today’s students to go where their hearts go, where the opportunities are, and to let life take them where it’s going to take them. Don’t fall in love with your own work—let others do that—but instead fall in love with the part of yourself that’s gifted and allows you to create. Your career is unique to you, so you get to make your own rules.”

Related Articles

Behind the Scenes with NYU Steinhardt’s Ambitious “Die Fledermaus” Set in Gilded Age New York

More than 70 students and a team of faculty advisors have worked for months on the comic opera production opening April 11.

NYU LA Hosts First-Ever NYU at the Grammys Event

Students, alumni, and faculty came together to celebrate “Music for Social Change.”

Ana Flavia Zuim Conducts Forensic Voice Analysis for Criminal Cases

Drawing on her experience as a musical director, vocologist, and music associate professor of vocal performance at NYU Steinhardt, Zuim uses voice science to identify both singers and speakers—and help solve crimes.

Related Department

Large orchestra playing in front of a movie screen
Department of

Music and Performing Arts Professions

35 W. 4th Street, 2nd Floor
New York, NY 10012
212-998-5424
mpap@nyu.edu