Marilyn Nonken

Upon her recital debut, Marilyn Nonken was heralded as "a determined protector of important music" (New York Times). Since then, she has been recognized as "one of the greatest interpreters of new music" (American Record Guide). Writes Fanfare: “Her voicings are exquisite, her pedaling throughout is a model to be studied, and, when necessary, her virtuosity is equaled only by the insight and passion with which every piece is imbued.” (2015) In 2006, she came to NYU as Director of Piano Studies at the Steinhardt School. In 2022, she was appointed Chair of the Department of Music and Performing Arts Professions, where she continues to teach.

She has been presented at venues such as Carnegie Hall, Lincoln Center, Miller Theatre, the Guggenheim Museum, Neue Galerie, and Roulette (New York), IRCAM, Reid Hall, and the Théâtre Bouffe du Nord (Paris), the ABC (Melbourne), Logos (Ghent), Instituto Chileno-Norteamericano (Santiago), Chicago Cultural Center and Symphony Center, Barnes Foundation (Philadelphia), Phillips Collection (Washington DC), Menil Collection and Rothko Chapel (Houston), and conservatories and universities around the world. Festival appearances include Résonances and the Festival d'Automne (Paris), Musica Nova (Helsinki), Aspects des Musiques d'Aujourd-hui (Caën), Rencontres Musicales de Jaugette, ATEMPO (Caracas), New Music Days (Ostrava), Musikhøst (Odense),When Morty Met John, Making Music, Works and Process, and  Composers Now (New York), American Sublime (Philadelphia), Festival of New American Music (Sacramento),  Music on the Edge (Pittsburgh), Puerto Piano (San Juan), Piano Festival Northwest (Portland), NUNC! (Chicago), Unruly Music (Milwaukee), and the William Kapell International Piano Festival and Competition.

A student of David Burge at the Eastman School, Marilyn Nonken received a Ph.D. in musicology from Columbia University. Her monograph The Spectral Piano (Cambridge University Press, 2015) was received as “a screaming success …. Few books can boast as much, and it is gratifying to encounter an international concert performer who can make so engaging a discourse around her core repertoire." (Bob Gilmore, Tempo). Identity and Diversity in New Music: The New Complexities (Routledge) was published in July 2019. She has written chapters for Perspectives on the Performance of French Piano Music, Messiaen Perspectives, Messiaen in Context, and The Oxford Handbook of Spectral Music; served as a guest editor for Contemporary Music Review; and contributed articles to numerous journals. A Steinway artist, Marilyn Nonken has recorded for New World, Mode, Lovely Music, Albany, Metier, Hanging Bell, Harrison House, CRI, BMOP Sound, New Focus, Kairos, Tzadik, and Bridge.