Undergraduate Courses

Composition in all forms and styles including electronic. Electronic laboratory by assignment.

Composition in all forms and styles including electronic. Electronic laboratory by assignment.

Composition in all forms and styles including electronic. Electronic laboratory by assignment.

Introduction for teachers, composers, and performers to explore potentials of computer music synthesis. Basic concepts of music synthesis presented through the use of a microcomputer, keyboard, and appropriate software. System may be used as a real-time performance instrument or as a studio composition instrument. Educators may explore potentials for classroom application.

Introduction to the concert business: contracts; the relationship between promoters, managers, & agents; marketing & ticket sales; how the concert business relates to other segments of the music industry.

Introduction to the concepts of live concert recording. Microphone selection, characteristics & placement as well as acoustic problems encountered in concert halls will be discussed. Students will have the opportunity to apply the lecture material by recording undergraduate rehearsals & recitals.

In this studio class, students work on specific advanced skills required for today’s professional orchestral and ensemble conductor. They practice challenging pieces from the orchestral repertoire, with a specific emphasis on contemporary pieces of music. Students also develop a comprehensive approach to rehearsal planning and structure, including specific strategies that allow time optimization.

In this studio class, students work on specific advanced skills required for the professional music theater conductor. They study works from the music theater repertoire, with a specific emphasis on shows of various periods and genres. Students develop a comprehensive approach to rehearsal planning and structure, including specific strategies that allow time optimization.

In this studio class, students develop foundational conducting skills for the professional conductor. This includes specific techniques associated with choral conducting, instrumental conducting, and conducting synchronized with visual media. Topics include arms/baton technique, rehearsing the ensemble, score study techniques, and conducting with a click track.

In this studio class, students build upon foundational conducting skills to develop specific techniques to conduct instrumental ensembles with a focus on the orchestral repertoire. Students practice seminal pieces of the history of western orchestral music that serve as case studies to develop a sophisticated set of instrumental conducting skills.

This course offers students the opportunity to engage with theories of communication & culture through the context of consumption & contemporary consumer society. Our focus will be on the role of commodities & consumer practices in everyday life & in culture at large. We will give particular attention to consumption's role in the construction of social & cultural identities. Students will consider critical responses to consumer culture, including the resistance & refusal of consumption as well as the attempted mobilization of consumption toward social change.

New art and new definitions of art and artist are discussed. Major attention is paid to the New York scene with guest lectures by artists and visits to galleries, museums, and other major sites in the current art system.

This seminar course will include didactic coursework and site visits during which time students will observe interdisciplinary clinical service provision at sites in the metropolitan London area. Students will observe evaluation and treatment sessions of children and adults receiving clinical services across disciplines such as speech language pathology, audiology, counseling, nursing, art, music, or drama therapy, and physical and occupational therapy. Seminar discussions will focus on the role of the interdisciplinary team in treating individuals with various disorders and provide an introduction to the practice of health fields specific to the United Kingdom and will explore attitudes toward disability and the allocation of health care resources in the UK. Comparisons between the US and UK health care systems will also be emphasized.

No course description available.

This hands-on course will both sharpen a composer’s aesthetic & raise the level of proficiency in their use of an industry-standard complex of the software necessary for composing & producing in film and media production. In tandem with incorporating the ever-increasing quality & availability of digital audio production software, including virtual instruments, media composers will deliver the pristine, professional sounding music now expected for film, TV, video games, songs & even Broadway.

An overview of the artistic and administrative demands of being a professional
singer in the 21st century, including music production, collaboration, distribution, publishing, and digital marketing. Students receive guidance in developing short and long term career plans rooted in their unique identities, interests, and creative pursuits.

This course prepares the contemporary vocalist for professional opportunities in live performance. Students collaborate with each other to book, manage, promote, and perform gigs at New York City music venues using the skills learned throughout their degree. Culminates in a showcase concert at an on- or off-campus venue for friends, family, and invited industry guests

This course provides a detailed exploration of the ways in which the modern classical singer, musical theatre performer, and pop singer must use their talents and intuition on social media to develop and market their brand, personal sensibility and point of view on the world. Vocals and live performance style techniques for the camera will be addressed in a laboratory environment, as well as techniques to target audiences on Tik-tok, Instagram, Facebook, websites, virtual auditions, and self-submissions.

This course is a laboratory environment where students explore all aspects of live
contemporary vocal performance. The course culminates in a final performance at an on-campus venue where the students participate in each of the technical elements of an amplified contemporary concert, including musical arrangement.

: This course explores the relationship between phonetics and acoustics as they
pertain to the text setting of song lyrics. Using the International Phonetic Alphabet (IPA) in conjunction with practical exercises and performance, students learn the technical concept of “vowel modification.” Skills developed in the course will allow singers to transpose covers of existing songs into keys well-suited for their voices and to improvise and embellish melodies with intentionality.