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Jessica Hamlin

Clinical Assistant Professor of Art + Education

Art and Art Professions

Jessica Hamlin (she/her) is a teacher, learner, and artist. She currently serves as co-director and clinical assistant professor in the NYU Art+Education program which has a focus on contemporary art, social justice education, and critical multiculturalism. She has facilitated education programs and creative projects in nonprofit, museum, city government, community and school spaces exploring art as a space for interdisciplinary inquiry and collaboration. Her interests include civic participation and artistic activism, restorative justice, anti-racism and institutional whiteness, ecology and sustainability.

Before coming to NYU, Jessica served as the Director of Education for Art21(link is external) where she developed educational curriculum, professional learning communities, global outreach programs, and platforms for exchange between artists, educators, policy makers, and academics. Jessica co-authored the book, Art as History, History as Art: Contemporary Art in the History Classroom(link is external) (Routledge, 2009), has published articles in Art Education JournalSchool Arts magazine and Visual Inquiry, has authored chapters in several books and journals, and is currently working on a collaborative book project titled, ‘Notatoolkit: Disrupting Whiteness in Educational Spaces.’

Courses:

Race, Education and the Politics of Visual Representation (ARTED-GE 2015)

Social Justice Education and Contemporary Art: Elementary Teaching (ARTED-GE 2271)

Critical Pedagogy, Artists and the Public Sphere (ARTED-GE 2070)

Research in Art+Education (ARTED-GE 2299)

Final Project in Art+Education (ARTED-GE 2301)

Elementary Student Teaching in Visual Art seminar (ARTED-GE 2901)

Fieldwork supervisor for Elementary and Secondary student teaching

Selected Publications

Hamlin, J. (2022). Performing whiteness, performing goodness: A case for a practice of discomfort. Art Education, 75(4), 57-58.

Hamlin, J., Restler, V. (2021). ‘Picturing Whiteness: Working With Images to Visualize and Resist White Supremacy in Educational Spaces’ in Art Education.

Hamlin, J., Gibbons, C., Lambrou, A., (2021). 'Portraits Across the Distance: Connecting and Collaborating through Film and Photography in a Pandemic Art Education' in Art Education.

Hamlin, J., Fusaro, J. (2018). ‘Contemporary Strategies for Creative and Critical Teaching in the 21st Century’ in Art Education.

Hamlin, J., Hetland, L. (2018). ‘A Ship with Two Prows: Evaluating Professional Development for Contemporary Art Educators.’ Invited chapter for edited book: Rajan, R. Arts Evaluation and Assessment: Measuring Impact in Schools and Communities. Palgrave Press: New York. 

Hamlin, J. (2018). ‘The education we need works like an artist.’ in Back to the Sandbox: Art and Radical Pedagogy. Western Washington University and MIT Press: Cambridge, MA.

Desai, D., Hamlin, J. (2017) ‘Sites of Learning: Artists and Educators as Change Agents’ in Art & Design Education in Times of Change. University of Applied Arts Vienna, Vienna, Austria: De Gruyter.

Hamlin, J. (2017) ‘At the intersection of education, art, and activism: the case for creative chemistries’ in Visual Inquiry: Learning and Teaching Art. Volume 6, Number 2, June 2017, pp. 179-189

Hamlin, J. (2017) ‘Education and Neoliberalism’ in e-flux Conversations 

Hamlin, J. (2017) ‘The Making and Teaching of Art as a Social Act’ in The NYSATA News, Volume 45, No. 4, pp. 20-22

Hamlin, J., Fusaro, J. (July 2015). ‘Generating Creative Chemistries’. ART21 Magazine.

Graham, M., Hamlin, J. (2013). ‘Teaching With Art21 and Contemporary Artists: Mark Bradford and the Use of Improvisation, Layering, and Text.’ Art Education, Vol. 67 Issue 4, p47-53.

Desai, D., Mattson, R. Hamlin, J. (2010). History as Art, Art as History: Contemporary Art and Social Studies Education. New York: Routledge Press.

Programs

Art + Education

Join our community of artists, educators, and activists in the historic Lower East Side and Greenwich Village⁠ – epicenter of social activism, radical education, and cutting-edge art in New York City!

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Courses

Race- Education and the Politics of Visual Representation

This course addresses philosophical. historical, socio-politcal contexts of multiculturalism in the United States, with an emphasis on relationship to critical pedagogy and contemporary art practices. Current ideas about representation and identity will be considered specifically in relation to a critique of mainstream notions of multiculturalism and art. Topics may include the history of race in the United States, the role of ethnicity and class in shaping identity, and feminism and multiculturalism. The course of addresses pedagogy and curriculum in a variety of educational settings, including schools, museums, and alternative spaces.
Course #
ARTED-GE 2015
Credits
3 - 4
Department
Art and Art Professions