This course focuses on the processes that inform “how one makes the object”, thereby helping students better understand their personal visual language and how to effectively employ it. The lens of history is used to stimulate dialogue, identify influences, and ultimately integrate the individual student’s point of view. Emphasis is on the examination of the larger continuum of historical & contemporary art. Studio meetings and individual critiques form a fundamental aspect of this course. Readings include Thomas Allen nelson, “Kubrick, Inside a Film Artist’s Maze”; Roberta Bernstein, “Jasper Johns, Paintings and Sculpture, 1945-1974, The Changing Focus of the Eye”; Kathy Halbreich, “Social Life”; Yves Alain Bois, “Painting as Model”.
