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Moon Ha

Moon Ha

Music Assistant Professor of Music Technology

Music and Performing Arts Professions

Moon Ha is an artist, performer-composer, and researcher based in New York City. He holds a BM and MM in Composition from the University of Illinois at Urbana-Champaign, and an MA and PhD in Music from New York University’s Graduate School of Arts & Science. Beginning in Fall 2025, he will serve as Music Assistant Professor at NYU Steinhardt’s Department of Music and Performing Arts Professions.

Ha’s work explores the intersections of experimental music, handmade electronics, and sustainability. He has built internationally recognized platforms such as MISE-EN_PLACE, an experimental arts venue in Harlem, and ensemble mise-en, a contemporary music ensemble that supports innovative composers and performers from diverse backgrounds. His creative output spans immersive sound installations, interactive performances, and recycled sound devices constructed from salvaged electronics. His compositions have been presented by ensembles such as Alarm Will Sound, JACK Quartet, Mivos Quartet, and Amorsima Trio, and featured at festivals including the International Computer Music Conference, Gaida Festival, and the Montreal Museum of Fine Arts.

Prior to joining NYU, Ha served as Visiting Assistant Professor of Music Technology at Colby College and held teaching appointments at Dartmouth College, Molloy University, and CUNY–Kingsborough.

Programs

Music Technology

Develop your expertise in an academic program that emphasizes creative experimentation and the integration of musical and technical skills.

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Courses

Advanced Computer Music

Focuses on artistic creation with digital audio, honing both technical and aesthetic skills. Students work through exercises using a variety of platforms, learn to critique and help improve each other’s work, and explore unfamiliar techniques and styles to extend and enrich the idioms of their prior practice. Students analyze landmark compositions from the history of computer music as well as contemporary electronic genres. Course culminates with a public performance of student work.
Course #
MPATE-GE 2047
Credits
3
Department
Music and Performing Arts Professions

Colloquy in Music Technology

The final masters project in Music Technology reflects some contribution to the field, and will bring together the student's class work experience and interests during the two year Masters program. Possible directions include documented performance techniques, analysis or software applications/development to music.
Course #
MPATE-GE 2601
Credits
3
Department
Music and Performing Arts Professions

Comp Music Synthesis: Fundamental Techniques

Introduction for teachers, composers, and performers to explore potentials of computer music synthesis. Basic concepts of music synthesis presented through the use of a microcomputer, keyboard, and appropriate software. System may be used as a real-time performance instrument or as a studio composition instrument. Educators may explore potentials for classroom application.
Course #
MPATE-UE 1047
Credits
3
Department
Music and Performing Arts Professions

Electronic Music Performance

Through weekly performing, readings and discussions, students study the conceptualization and production of live electronics ensemble performance. Students create new works, improvisations, and rehearse compositions from a growing repertoire of electronic ensemble compositions, to be performed at a semester’s end public concert.
Course #
MPATE-GE 2609
Credits
2
Department
Music and Performing Arts Professions

Electronic Music Performance

Through weekly performing, readings and discussions, students study the conceptualization and production of live electronics ensemble performance. Students create new works, improvisations, and rehearse compositions from a growing repertoire of electronic ensemble compositions, to be performed at a semester’s end public concert.
Course #
MPATE-UE 1019
Credits
2
Department
Music and Performing Arts Professions

Fundamentals of Music Technology

A general introduction to the fundamental concepts of music technology, including: MIDI and sequencing, the basics of digital audio, sound recording, mixing and sound synthesis,. The course will also briefly overview advanced topics and applications in the field.
Course #
MPATE-UE 1801
Credits
2
Department
Music and Performing Arts Professions

Thesis in Music Technology I

This course serves as the first-semester master’s thesis research and writing class. It covers research methods, testing with human subjects, data analysis, and academic writing. Students are expected to complete the major pre-writing work on their projects by the end of the semester.
Course #
MPATE-GE 2602
Credits
1
Department
Music and Performing Arts Professions