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Bill Rosenblatt is an expert on technology, data, and intellectual property issues in music. He is president of GiantSteps Media Technology Strategies, the strategy consulting firm that he founded in 2000. Bill's music industry clients have included major digital music services (Spotify, Pandora), major record labels (Warner Music Group, Sony Music), and technology companies ranging from startups to Google, HP, and British Telecom. He has consulted to public policy entities on issues related to copyright in the digital age in the US, Europe, and Asia; and he has served as an expert witness in copyright and patent litigations involving technology related to digital media and copyright, including royalty rate-setting proceedings for digital music services. 

Prior to founding GiantSteps, Bill's background includes stints as CTO of an Internet education startup at Columbia University, CIO of a division of McGraw-Hill, and marketing and consulting positions at Sun Microsystems. He began his career as a software engineer in data communications at Motorola.

Bill is program chair and co-producer (with the Copyright Society) of the annual Copyright and Technology Conferences. He has spoken at conferences around the world including the World Economic Forum in Davos, Switzerland. He is co-author, with Howie Singer, of the book Key Changes: The Ten Times Technology Transformed the Music Industry (Oxford University Press, 2023). He is also a media and entertainment contributor to Forbes and the author of a book on digital rights management.

Bill has a BSE in Electrical Engineering and Computer Science from Princeton University, an MS in Computer and Information Science from the University of Massachusetts, and continuing education in business and finance from NYU. He serves on the trustee boards of the Copyright Society and Princeton Broadcasting Service, Inc., and on the peer review board of the Journal of the Copyright Society. He plays guitar in the Copyright Society house band Crude Humble & Obvious. 

Bill has been an Adjunct Faculty member in the Music Business program since 2019; he teaches the courses Data Analysis in the Music Industry and Technological Transformation of the Music Industry.

Selected Publications