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Nicole R. Fleetwood Awarded Second Grant from Mellon Foundation

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The $600,000 grant supports the continuation of Fleetwood’s groundbreaking project, Marking Time.

Art on thin paper sheets hangs from wires

Art from Marking Time at MoMA PS1 in 2020: Rowan Renee, No Spirit For Me (detail), 2019. Mixed-media installation.

Nicole R. Fleetwood, Paulette Goddard Professor in NYU Steinhardt’s Department of Media, Culture, and Communication and the Department of Social and Cultural Analysis at NYU Arts & Science, has been awarded a two-year, $600,000 grant from the Mellon Foundation to support her ongoing Marking Time project.

Marking Time is a multi-dimensional initiative focusing on the impact of the US prison system through an exploration of art and culture. Much of the work focuses on archiving, exhibiting, and advocating for artists and creatives impacted by prisons and policing. Fleetwood’s book, Marking Time: Art in the Age of Mass Incarceration, was published in 2020, followed by an art exhibition that debuted at MoMA PS1 later that yearFleetwood’s first Mellon grant in 2022 funded the early stages of bringing Marking Time to a wider public, including a traveling exhibition curated by Fleetwood, as well as artist support and development. 

This new grant provides support for more internal areas of the initiative, including helping artists with archiving and preserving their work and the development of a collaborative research working group to expand scholarly understanding of the landscape of arts in prison in the United States and around the world.

“The first Mellon grant was crucial in bringing the Marking Time exhibition to a much larger audience around the country, including at smaller venues where it would not have otherwise been financially feasible,” says Fleetwood. “We are excited about this new grant as an opportunity to do more inward work to more deeply support the artists and explore how social vulnerability and imprisonment are often tethered together.”

Dr. Nicole R. Fleetwood stands next to a window wearing a black dress with white stripes and red flowers.

This work is not just about showcasing art made in and about prisons; it’s also about opening the public perception of what it means to be incarcerated beyond the dominant media representations.

Nicole Fleetwood, Paulette Goddard Professor of Media, Culture, and Communication

Another highly successful element to come out of Fleetwood’s first Mellon grant was the production of an exhibition and artist catalog called Home Freewhich featured the work of 16 artists who are or were imprisoned in Fleetwood’s native Ohio. The new grant will fund the creation of high-quality art catalogues and artists’ books that were made in collaboration with featured artists from the Marking Time project.

“For many of these artists, this can represent their first time getting printed, which further legitimizes their work and provides them with a possible income stream,” says Fleetwood.

A hallway opening to the Marking Time exhibit

Marking Time at the Schomburg Center for Research in Black Culture in 2023.

This new Mellon grant will also support continued mentoring and professional development opportunities for artists, including helping with educational access and fellowship applications, co-sponsoring and amplifying events and opportunities, and providing short-term emergency support when possible.

“This work is not just about showcasing art made in and about prisons; it’s also about opening the public perception of what it means to be incarcerated beyond the dominant media representations,” says Fleetwood. “We have a major problem with the hyperincarceration of certain populations in this country and in others, but a growing number of people want to see policy changes on how we as a society think about and deal with social problems and systemic inequalities that lead to hyperincarceration. Marking Time is another way to amplify the lives of people who are most impacted by incarceration, who are often also some of the most underresourced people in our society.”

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