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Alexander Galloway

Professor of Media, Culture, and Communication

Media, Culture, and Communication

212-998-5423

Alexander R. Galloway is a writer and computer programer working on issues in philosophy, technology, and theories of mediation. He is author of several books on digital media and critical theory, including The Interface Effect (Polity, 2012). His collaboration with Eugene Thacker and McKenzie Wark, Excommunication: Three Inquiries in Media and Mediation, has recently been published by the University of Chicago Press. With Jason E. Smith, Galloway co-translated the Tiqqun book Introduction to Civil War (Semiotext[e], 2010). For ten years he worked with RSG on CarnivoreKriegspiel and other software projects. Galloway's newest project is a monograph on the work of François Laruelle, published in October 2014.

Galloway has given over two hundred talks both across the U.S. and in ten countries around the world. His writings have been translated into eleven languages. He is recipient of a number of grants and awards including a Creative Capital grant (2006) and a Golden Nica in the 2002 Prix Ars Electronica (Linz, Austria). The New York Times has described his practice as "conceptually sharp, visually compelling and completely attuned to the political moment."

A member of the NYU faculty since 2002, Galloway has also held visiting posts at the University of Pennsylvania (Spring 2012) and Harvard University (Fall 2016).

Selected Publications

Programs

Media, Culture, and Communication

Our media studies programs train agile researchers of a shifting media landscape. Learn to analyze media and technology in its cultural, social, and global contexts.

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Courses

Creative Coding

“Creative Coding” is a practice-based course designed to teach basic programming skills in the context of critical and cultural media studies and the digital humanities. The course requires no prior programming experience, simply a willingness to explore code at a more technical level with the aim of using computation as an expressive, analytical, critical and visualizing medium. Students will learn basic coding techniques such as variables, loops, graphics, and networking, all within a larger conversation on the social, cultural, and historical nature of code and coding practices.
Course #
MCC-UE 1585
Credits
4
Department
Media, Culture, and Communication

Media Archaeology

Explores theoretical, methodological, and archival strategies for research on early or obsolete media artifacts. This seminar functions as an ongoing research studio while discussing central texts in the field of media archaeology.
Course #
MCC-GE 2134
Credits
4
Department
Media, Culture, and Communication

Western Marxism and Culture

Explores the various political and philosophical debates within western Marxism. Pays particular attention to the influence of the cultural turn in twentieth century Marxist thought on feminism, postcolonialism, and theories of mediation. Themes include: the commodity, alienation and reification, surplus value, culture, ideology, hegemony and subjectivity.
Course #
MCC-UE 1402
Credits
4
Department
Media, Culture, and Communication