Search

Train for a career as a Tonmeister, supervising technical and artistic personnel during the production of music, sound recordings, and live broadcasting.

Fall down the rabbit hole between February 6-10, when NYU Steinhardt stages a new version of composer Frank Wildhorn's musical.

Music Business Alumni in Action

An advanced examination of technology and production techniques related to recorded music. Topics include evaluating artistic elements of sound in audio reproductions, the listening space, sonic characteristics of analog and digital mediums, mono, stereo, quad and surround microphone techniques, signal processing and mixing.

This is an exciting and potentially transformative moment for cultural production across the globe. This class will go behind the scenes to explore how culture (music, cinema, art, journalism, television dramas, social media, etc.) actually gets made. We will adopt a critical approach, reflecting on what's at stake, and investigate the social-structural, organizational, and technological forces that partially determine the aesthetic and political qualities of a range of cultural products.

Musical, aesthetic, and technical processes of assembling and shaping a film's soundtrack in collaboration with the filmmaker and composer. Collaborative projects encompassing film score recording sessions, an understanding of the music editor's position, responsibilities, and techniques in the post-production process of a film.

Train, perform, and create in global cultural capitals like Abu Dhabi, Paris, or Prague.

The rarely performed play with music features a cast of 22 from across the University accompanied by the NYU Steinhardt Percussion Ensemble.

Ten students composed music for podcasts through Ignite Change: Impactful Storytelling Through Audio – a new NYU podcasting fellowship.

An introduction to the field of acoustics emphasizing sound production by musical instruments, propagation of sound from source to listener (including electronic reproduction), and psychoacoustics perception of sound.