This course explores the history of music as a space for signaling, performing and
imagining gender and sexuality. We consider expressions of gender and sexuality in western classical music (medieval era to the present) as well as in popular music (disco, glam rock, hip hop, synthpop), and in film. While course readings include essays from a variety of research areas, emphasis will be placed on a critical reading of current discourse against what we hear and see in the musical works.