Peter and the Starcatcher

PETER AND THE STARCATCHER opens this Friday! Come out and see the hard work of a dynamic cast and thoughtful production team who have focused on showcasing the abilities of everyone involved through the story-theatre quality of this show.

Go to this link to purchase general admission ($15) or senior tickets ($5): NYU Ticket Central

To purchase student tickets for $5, follow these instructions:
Login to NYU home
Click on NYU life (on the left)
Scroll to box office
Click on campus events
Scroll to Peter and the Starcatcher (whichever date you would like)
Click login to get tickets (on the right)
Click get tickets now (on the right).

If you have any questions, please reach out to Cassie Holzum.

Hope to see you there!


Faculty Review:

I was fortunate to see Peter and the Starcatcher in the Black Box Theatre, and experience this very exciting new interpretation of the play. Directed brilliantly by Dr. Amy Cordileone, the ensemble work in this hilarious and moving play was a delight to experience. Supporting each other in complex choreography, colorful and satirical visuals and rousing songs, all members of the cast were compelling and mesmerizing!
Make sure to get out and see this innovative, playful and wildly theatrical take on the back story of Peter Pan and the importance of love and friendship.
Dr. Nan Smithner
Clinical Associate Professor

Auditions: Peter and the Starcatcher

Announcing PETER AND THE STARCATCHER auditions! They are August 29 and 30, 7:00-10:00pm. You can sign up for a time slot and find more information on the sign up website.

This fall, the Program in Educational Theatre at NYU will proudly present PETER & THE STARCATCHER, featuring an ensemble of developmentally diverse performers.

PETER & THE STARCATCHER is “a new play about our hero of old (…).” Before Wendy, before Neverland, & yes, before Peter Pan, there was Molly (a girl on the brink of everything—our intrepid hero) & there was Boy (a nameless, homeless, & friendless child so cast down he’d begun to fear his own shadow), whose story begins on the deck of a ship. Boy & his schoolmates are shipped off from Victorian England and sold to the evil king of a distant island. While at sea, the orphans are discovered by Molly & together they identify a mysterious trunk full of Starstuff (a celestial substance so powerful it must not fall into the wrong hands). So, when their ship is suddenly overtaken—seized by the fearsome pirate Black Stache, who’s determined to claim the trunk & its treasure for his own—Molly, the Boy, & his mates resolve to protect the Starstuff… embarking on the adventure of a lifetime.

Our Production: An acting company of developmentally diverse performers will collaborate to fashion a captivating theatrical event accessible to audience members of all abilities.

Often described as a “love letter to the theatre,” PETER & THE STARCATCHER’s dynamic book, by Rick Elise, is an ideal playground for collaborative theatre-makers—perfectly situated to showcase both source material & ensemble. Grounded in the aesthetics of Story Theatre, the world of PETER & THE STARCATCHER is uniquely defined (& redefined) by its players—invoking the collective imagination as found objects, architecture, & other elements of the everyday transform before our eyes. Essentially… everybody plays everything!!! PETER & THE STARCATCHER is, at its heart, an origin story—a pre-history of Pan that has, at its end, a 100-year old beginning (read: this adventure has little to do with being & everything to do with becoming). Our production will be, first & foremost, a love letter to the journey… to personal discovery & self-acceptance—a celebration of the attributes & aptitudes of each individual onstage that, in true Story Theatre fashion, blurs the lines between exposition, scenework, & personal narrative.

NYU’s Program in Educational Theatre encourages performers with & without developmental differences to audition & will provide reasonable accommodations to all individuals who request them. In order to audition, please prepare two sides from different categories from this document. If you have any questions, please reach out to Cassie Holzum (Production Stage Manager and Assistant Director)

If you cannot find a time slot that works for you, we will be accepting walk-ins on a first come, first served basis.
Callbacks will be on Saturday, Sept. 1st 12pm – 5pm and Tuesday, Sept. 4th 7pm – 10pm. Please let me know if you have any further questions!

Looking for Shakespeare Opens This Week!

Looking for Shakespeare
presents
Poster Image for Two Noble Kinsmen

Thursday, July 19 at 7PM

Friday, July 20 at 7PM
Saturday, July 21 at 2PM
 
Black Box Theatre
82 Washington Sq. East
 
Tickets are $5 online and at the door
Purchase tickets at NYU Ticket Central
 
Looking for Shakespeare is an intensive four-week summer program for high school students from across the country. Over the past few weeks, our ensemble of 18 young actors has worked with Director Amy Cordileone, our artistic team, and 8 incredible grad students to produce this rarely-performed Shakespeare play.
 
If you would like to join us for the Invited Dress Rehearsal at 7PM on Wednesday, July 18th.
please email Jasmine Pai 
 

Director: Amy Cordileone, PhD
Producers: Jasmine Vogue Pai & Robert M. Stevenson
Productio
n Stage Manager: Cassie Holzum
Assistant Stage Manager: Zack Palomo
Music Director: Rachel Whorton
Dramaturg & Vocal Coach: Ashley Renee Thaxton
Scenic & Lighting Designer: Daryl Embry
Costume Designer: Livvie Goble
Props Master & Sound Designer: Evan Oslund
Dramaturgy Intern: Kaylee DeFreitas
Production Artwork Designer: Sophie Bomeisler

Ensemble Members: Ma. Pilar Beddall, Elektra Birchall, Maya Bodnick, Sophie Bomeisler, Hero Cordileone, Oliver D’Avolio, Aaron Dorelien, Liam Festa, Emily Friedman, Wilson Hernandez, Elizabeth Kenney, Cornelius “CK” Kittrell, Nina Kolman, Thomas LaGrange, Emily Leclerc, Sasha Kruger, Rachel Smith, Finn Westcott
NYU Students/Acting CoachesStephanie Anderson, Shalen Daniels, Ian McCabe, June Moore, Justine Moser, Victoria Neff, Cynthia Rosen, Casey Starkey

New Plays for Young Audiences presents: “Becoming Martin” by Kevin Willmott

Please join us at the Provincetown this weekend!

Celebrating its 21st season, New Plays for Young Audiences will stage rehearsed readings of three new plays exploring migration through a magical travelling band, violence in society, and Martin Luther King Jr’s formative years. These staged readings are presented by NYU Steinhardt’s Educational Theatre program at the historic Provincetown Playhouse from June 9-24, 2018 and are free and open to the public.
New Plays 2018 List of Plays and Reading Dates - Information appears in blog post
Becoming Martin is by noted director, screenwriter, and playwright Kevin Willmott and explores Martin Luther King Jr.’s journey to understand his own feelings and beliefs during his time at Morehouse College (from the age of fifteen). Through his relationship with Dr. Benjamin Mays, Dr. King discovers that a minister can simultaneously debate theology and philosophy while fighting for justice and equality. Chip Miller directs. This play is appropriate for ages 11 and up. Rehearsed readings are on Saturday, June 23 at 7:30 p.m. and Sunday, June 24 at 3 p.m.
All rehearsed readings are in the Provincetown Playhouse. Tickets are FREE. There are no advance reservations. Tickets will be available at the theatre’s box office beginning an hour before each reading.

 

 

The Provincetown Playhouse is located at 133 MacDougal Street, between West 4th and West 3rd streets [Subway: A, C, D, E, F, M (West 4th St.)].

 

New Plays for Young Audiences is supported by The Nancy and Lowell Swortzell Permanent Fund in Educational Theatre and with thanks to NYU Steinhardt’s Department of Music and Performing Arts Professions.

FALL MAINSTAGE AUDITIONS: Peter and the Starcatcher!

Educational Theatre is proud to produce Peter and the Starcatcher as the Fall Mainstage directed by Amy Cordileone! We hope to see you all coming out for auditions the week before the fall semester begins!
Peter and the Starcatcher logo
​Audition Dates:
Thursday, August 30th
Friday, August 31st
Callbacks:
Saturday, September 1st
Location:
Pless Hall Black Box Theatre
(82 Washington Sq. E)
Amy Cordileone is excited to work on this piece, which will be sensory friendly for individuals with developmental differences.
  • SEEKING: warm, fun, and collaborative individuals of all ages, genders, and ethnicities from all different developmental backgrounds.
  • AUDITION DETAILS TO COME including sides, music, and sign ups.
  • First Rehearsal: Tuesday, September 4th
  • Performance Dates: October 19th – October 28th
If you have any questions, please feel free to contact Cassie Holzum, Production Stage Manager and Assistant Director

NPYA presents “Fun and Games” by Lois Lowry (6/16 and 6/17)

Please join us at the Provincetown this weekend!

Celebrating its 21st season, New Plays for Young Audiences will stage rehearsed readings of three new plays exploring migration through a magical travelling band, violence in society, and Martin Luther King Jr’s formative years. These staged readings are presented by NYU Steinhardt’s Educational Theatre program at the historic Provincetown Playhouse from June 9-24, 2018 and are free and open to the public.
New Plays 2018 List of Plays and Reading Dates - Information appears in blog post
Fun and Games* is by noted author Lois Lowry and invites its actors and the audience to explore violence in society. Each performance will be different—reflecting the ever-shifting nature of young peoples’ lives—and will uncover uncomfortable aspects of the characters on stage. It’s a thought-provoking performance that will elicit laughter, fear, and sadness and raise questions that will stick around long after the audience leaves the theater. Stan Foote directs. Fun and Games is appropriate for ages 13 and up. This play contains mature themes and content. It may not be suitable for all audiences. Rehearsed readings are on Saturday, June 16 at 7:30 p.m. and Sunday, June 17 at 3 p.m.

 

*formerly titled HOW? 

All rehearsed readings are in the Provincetown Playhouse. Tickets are FREE. There are no advance reservations. Tickets will be available at the theatre’s box office beginning an hour before each reading.

 

 

The Provincetown Playhouse is located at 133 MacDougal Street, between West 4th and West 3rd streets [Subway: A, C, D, E, F, M (West 4th St.)].

 

New Plays for Young Audiences is supported by The Nancy and Lowell Swortzell Permanent Fund in Educational Theatre and with thanks to NYU Steinhardt’s Department of Music and Performing Arts Professions.

NPYA presents “Lucky Petra” by Carl Miller and Christopher Ash

Please join us at the Provincetown this weekend!

 

Celebrating its 21st season, New Plays for Young Audiences will stage rehearsed readings of three new plays exploring migration through a magical travelling band, violence in society, and Martin Luther King Jr’s formative years. These staged readings are presented by NYU Steinhardt’s Educational Theatre program at the historic Provincetown Playhouse from June 9-24, 2018 and are free and open to the public.

 

New Plays 2018 List of Plays and Reading Dates - Information appears in blog post

 

“Lucky Petra: by Carl Miller is a musical coming-of-age story about Petra, a girl who escapes an unhappy childhood locked in a high tower and embarks on a magical journey with a band inspired by travelling music groups such as Balkan Brass bands and Roma/punk mashups. The play features music by Christopher Ash and draws parallels between Petra’s travels and contemporary debates about migration. Tony Graham directs. This piece is appropriate for ages 11 and up. Rehearsed readings are on Saturday, June 9 at 7:30 p.m. and Sunday, June 10 at 3 p.m. 

 

All rehearsed readings are in the Provincetown Playhouse. Tickets are FREE. There are no advance reservations. Tickets will be available at the theatre’s box office beginning an hour before each reading.

 

 

The Provincetown Playhouse is located at 133 MacDougal Street, between West 4th and West 3rd streets [Subway: A, C, D, E, F, M (West 4th St.)].

 

New Plays for Young Audiences is supported by The Nancy and Lowell Swortzell Permanent Fund in Educational Theatre and with thanks to NYU Steinhardt’s Department of Music and Performing Arts Professions.

OF A CERTAIN AGE to Examine the Lives of Aging Actors Through Reversed Casting

Could experiencing the lives of aging performing artists through young actors cause people to rethink their beliefs about aging and disrupt implicit biases? Of a Certain Age-a verbatim performance comprised of eight students portraying 16 performing artists and professionals over the age of 65-will explore this concept through performances at the Provincetown Playhouse from Friday, February 23 to Sunday, March 4.

Suzy Jane Hunt, Josh Batty, and Keith Morris on stage during technical rehearsals.

Suzy Jane Hunt, Josh Batty, and Keith Morris on stage during technical rehearsals.

The experimental performance replicates the voices, intonations, and gestures of aging actors, commentators, and professionals based on interview transcripts, audio recordings, and field notes. Of a Certain Age is a production of NYU Steinhardt’s Program in Educational Theatre in collaboration with The Actors Fund, an organization providing assistance to the entertainment community, and NYU Steinhardt’s Verbatim Performance Lab. Joe Salvatore, playwright and clinical associate professor of educational theatre at Steinhardt, created the play utilizing verbatim performance techniques similar to those in the Off-Broadway production,Her Opponent, an ethnodramatic re-staging of excerpts of the 2016 presidential debates co-created with economist Maria Guadalupe (INSEAD) in 2017.

Eight students conducted interviews with 37 performing artists-ranging from a back up singer for George Michael to an original cast member from West Side Story on Broadway-about their experiences growing older in an industry that has traditionally favored youth. Students will perform interview excerpts word for word and exactly replicate interviewees as they discuss the struggle to land roles, sexism in the industry, forced retirement, age typecasting, and more.

This image shows excerpts from the interview transcripts being re-organized by theme in preparation for putting together a draft of the script.

Piecing the script together.

Salvatore said casting choices were designed to disrupt audience expectations. In one scene, a young man depicts an older woman while a second actor on stage discusses being overlooked for voiceover roles, as these are typically given to men.

“Verbatim performance gives us an opportunity to reexamine how we think about aging. Watching gender-reversed and age-reversed actors perform these roles while in dialogue about sexism and ageism forces the audience to challenge their subconscious beliefs. How do we think about actors or celebrities over the age of 65 and how does this change when their experiences are portrayed by young people? The casting deliberately includes moments to shake up the audience’s perceptions; the theatricality is always present,” Salvatore said.

Salvatore said these choices cause an ‘alienation effect’ which forces the audience to reflect on what is being presented in critical and objective ways, rather than simply being immersed in the performance as they would with more a traditional play. This process of ‘making the familiar strange’ helps audiences to challenge their implicit biases and intolerances.

The performance also includes interview excerpts with writer and activist Ashton Applewhite, who recently gave a TED Talk about ageism as the last socially acceptable prejudice. The actor portraying Applewhite discusses the pejorative ways aging celebrities are discussed and structural discrimination in the industry.

Traci DiGesu, Senior Program Volunteer and Activities Coordinator at The Actors Fund, said the project helped participants feel heard by the next generation and discuss prejudices that affect artists of all ages.

“I was hearing from my clients about their experiences of ageism and feeling invisible, but I was also hearing a lot of good stories about how much they were still enjoying their work. It’s important for them to maintain their identities as artists and this project presented a terrific opportunity for participants to talk about their lives with student researchers who were genuinely interested,” DiGesu said.

The project is part of NYU Steinhardt’s newly formed Verbatim Performance Lab, which is committed to using verbatim performance techniques as an investigative tool to challenge and disrupt preconceived notions, implicit biases, and intolerances across a spectrum of political, cultural, and social beliefs and experiences.

“Of a Certain Age” runs Friday, February 23 and Saturday, February 24 at 8 p.m.; Sunday, February 25 at 3 p.m.; Thursday, March 1 to Saturday, March 3 at 8 p.m.; and Sunday, March 4 at 3 p.m. Tickets are $15 general admission and $5 for students and seniors. For tickets, contact NYU Box Office at tickets.nyu.edu, call212.998.4941, or visit in person at 566 LaGuardia Place (at Washington Square South).

“Of a Certain Age” is directed by Joe Salvatore and assistant directed by Andy Wagner. It features scenic design by Andy Hall, lighting design by Daryl Embry and Leah Cohen, sound design by Darren Whorton, props by Sven Nelson, and costumes by Márion Talán. The dramaturg is Sarah Bellantoni and theraturg is Traci DiGesu. The production stage manager is Cassie Holzum and assistant stage manager is Jiawen Hu, with research and assistance from Han Yu. The cast features NYU Steinhardt students Rai Arsa Artha, Josh Batty, Megan Conway, Sherill-Marie Henriquez, Suzy Jane Hunt (appears courtesy of Actors’ Equity Association), Keith Morris, Amalia Ritter, and Hayley Sherwood.

Steinhardt’s Department of Music and Performing Arts Professions, established in 1925, instructs over 1,600 students majoring in music and performing arts programs. Music and Performing Arts Professions serves as NYU’s “school” of music and is a major research and practice center in music technology, music business, music composition, film scoring, songwriting, music performance practices, performing arts therapies, and the performing arts-in-education (music, dance, and drama)

Link to original post on BroadwayWorld.com

NYU Steinhardt to Stage ‘HEAR THEM ROAR’ to Commemorate 100 Years of Women’s Suffrage in NY

Poster advertising the production.NYU Steinhardt’s Program in Educational Theatre will stage two events this month to celebrate the women of New York State winning the right to vote a century ago, exploring the historical context through the individuals who fought for the cause.

A newly created play entitled Hear Them Roar: The Fight for Women’s Rights investigates the untold stories of the suffragists of 1917, including women of color, immigrants, and the men (or “suffragents“) who helped win the vote.

Under the direction of Nan Smithner, clinical associate professor of educational theatre at NYU Steinhardt, the play was devised by an ensemble of 15 actors, who wrote and created the scenarios by deeply researching historical facts of the time.

The show is conceived as an environmental theatre performance, with historical scenes related to the struggle for women’s rights taking place in Washington Square Park. These scenes are connected thematically in Pless Hall’s Black Box Theatre to present day issues.

The audience for Hear Them Roar: The Fight for Women’s Rights will meet at the Black Box Theatre, located at 82 Washington Square East (entrance on Washington Place), and will stroll from scene to scene throughout the performance. Audience members should dress warmly and wear comfortable shoes. In case of rain the performance will move inside Pless Hall.

Hear Them Roar: The Fight for Women’s Rights runs for seven performances between Friday, October 20 and Sunday, October 29. For a list of performance dates and times, visit the NYU Events Calendar. Tickets are $15 general admission and $5 for students and seniors. For tickets, contact NYU Box Office at tickets.nyu.edu, call 212.998.4941, or visit in person at 566 LaGuardia Place (at Washington Square South).

The Thursday, October 26 performance will feature a talk back after the show with Professor Burt Neuborne, who held the Inez Milholland Chair at NYU Law for the past ten years, and NYU Journalism Professor Brooke Kroeger, who wrote the recent book The Suffragents: How Women Used Men to Get the Vote (SUNY Press, 2017).

The Program in Educational Theatre will also present Upon a White Horse, the latest event in its Storytelling Series at the Provincetown Playhouse, produced by storyteller and NYU Steinhardt adjunct professor Regina Ress.

While many fought for women’s suffrage, one woman in particular stands out for her aptitude for drawing attention to the cause: Inez Milholland, a 1912 graduate of the NYU School of Law. Milholland may be best remembered sitting astride a white horse, channeling Joan of Arc, and leading parades down New York City’s Fifth Avenue and Washington, D.C.’s Pennsylvania Avenue to fight for women’s rights.

Called the New York Times’ “Poster Girl of Radicalism,” this labor lawyer, war correspondent, and outspoken crusader for social justice literally worked herself to death for the cause of women’s suffrage. Storyteller Darci Tucker will bring her back to life on Sunday, October 22 at 1 pm at the Provincetown Playhouse (133 Macdougal Street).

Upon a White Horse is free and open to the public, and is appropriate for adults and youth 12 and older. For more information, visit the NYU Events Calendar.

Steinhardt’s Department of Music and Performing Arts Professions, established in 1925, instructs over 1,600 students majoring in music and performing arts programs. Music and Performing Arts Professions serves as NYU’s “school” of music and is a major research and practice center in music technology, music business, music composition, film scoring, songwriting, music performance practices, performing arts therapies, and the performing arts-in-education (music, dance, and drama).

Link to original post on BroadwayWorld.com

The Man Behind the Curtain

Dr. John Newman will perform his solo play The Man Behind the Curtain on Saturday, September 23 @ 2p at the United Solo Festival on 42nd street at Theatre Row in NYC.

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John Newman performs as L. Frank Baum.

The main character in the play is L. Frank Baum, best known as the author of The Wizard of Oz and 13 other Oz books. The play is set on New Year’s Eve the stage of the Hudson Theatre as one of Baum’s popular theatrical productions has been abruptly cancelled because of its excessive production costs. The “Royal Historian of Oz” offers the expectant audience his own story of how he “found his way to The Wonderful Wizard of Oz.

Before finding his calling as a writer of children’s stories, Baum struggled to make his living as an actor, director, store-owner, baseball team secretary, small-town newspaper editor, reporter, and traveling salesman. In the play, L. Frank Baum tells how each of his professions developed his abilities as a storyteller and how he transformed his dreams and nightmares into his best known story. His life intersects with American notables including author Charles Dickens, inventor Thomas Edison, and his mother-in-law, suffragist Matilda Joslyn Gage.

Newman earned a PhD in Educational Theater at New York University, with concentrations in theater for young audiences and playwriting. He has been a professor of theatre at Utah Valley University and Director of the Noorda Theatre Center for Children and Youth since 2010, after teaching and directing theatre for eighteen years at Highland High School in Salt Lake City. As a playwright, Newman has created authorized stage adaptations of novels by Newbery medalists Avi, Paul Fleischman, Richard Peck, and Jean Lee Latham.

The Man Behind the Curtain was premiered during Dr. Newman’s fall 2016 residency at the Open Eye Theater in Margaretville, New York under the direction of Dr. Tania Myren. Newman has also performed the play at Utah Valley University, the Mercury Theatre in Provo, and at Chapman University in Orange County, California. He has also performed it in places where L. Frank Baum lived and wrote, including Syracuse, New York and Coronado, California. Newman will performing the play at the national conference of the American Alliance for Theatre and Education in New Orleans in August and at the United Solo Festival on 42nd Street in New York City in September.