Gear Spotlight: Keith McMillen Instruments QuNeo

The KMI QuNeo is a 3D multi-touch pad MIDI controller, similar to pad controllers by Akai and Novation. However, the QuNeo is unique in several ways. It offers three different types of trigger pads; some look like faders, some like rotary controls, some like traditional trigger pads (think Akai MPC). Each of these triggers offers comprehensive, near limitless mapping options. The rotary controllers can function as physical infinite rotary controls (think Moog Source), or as plain old potentiometers with maximum and minimum values. The faders work more or less as expected, though the bottom-center fader can perform width control when mapped to the right parameter. Perhaps the QuNeo’s greatest appeal lies in the ability to map all four corners of each of the sixteen traditional trigger pads. This allows users to program four different notes on each of the pads, with room for portamento and chordal playing depending on how you choose to map the QuNeo in its downloadable editing software.

Pro Tips:

  • Run the installer and download the editor before making too much of an attempt at using this device. Otherwise, your options may feel pretty limited.

  • The sensitivity of the pads can initially seem lackluster – make sure to turn the “Global Sensitivity” command all the way up in the QuNeo editor!

  • You can individually adjust the sensitivity of each quadrant of the trigger pads!

  • Try flipping through the six available Velocity Curves, in the “Velocity Table For All Pads” section of the editor!

  • The rubber sliders have a bit of friction, which might not be ideal for gradual fades. Be careful!

  • Use a Keith McMillen USB->MIDI converter to control any MIDI device with the QuNeo you’ve programmed working as a standalone controller. You could even convert MIDI messages to CV with the MOTM synth module in Studio B, and then control all of Studio B with the QuNeo!

Useful Links:


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PdCon16~ Begins Today!

This afternoon begins the 5th International Convention Pure Data Convention, celebrating 20 years of Pure Data. Through Sunday, New York University, Stevens Institute of Technology, ShapeShifter Lab, Maxwell’s Tavern and Pianos NYC will be hosting 9 workshops, 8 installations and 5 paper sessions regarding the ways that community members and developers are working with the Pd language. The convention includes several concerts for each day, for which more details can be found on the full program.

The convention will take place at NYU and Stevens Institute of Technology, and it is made possible by the generous support of the Washington Square Contemporary Music Society and New Blankets, as well as form Harvestworks and the Waverly Project.


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Roger Linn Discussion Recap/Photos

NYU Music Tech, Clive Davis & Tandon would like to thank everybody who made Tuesday’s panel discussion a great success! Speakers Roger Linn, Bob Power, Nicholas Sansano and Dan Freeman each gave their own insight into the history of drum machine technology, and we were later given incredible demo of Roger Linn’s new LinnStrument.

Click the photos below to enlarge






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SONYC in the News

The SONYC project, a research initiative bringing together researchers from MARLTandon, CUSP and OSU, is in the news these days, with articles popping up on The New York TimesWNYC, and Wired (Italy). The project is launching the first phase of a 5 year program with the goal of changing the way noise pollution is monitored and analyzed in New York City. Using a network of microphones to record the various breeds of urban annoyances, Music Tech’s own Juan Bello and his team are creating novel technologies for the automatic identification of sound sources throughout the city.

The project has received a generous $4.6 million grant from the National Science Foundation, and there’s a lot of excitement around its agenda from New Yorkers that know too well the agony that is noise pollution. For more information on the team and the technology involved, see NYU’s news release and the SONYC website.



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AES: The Future of Audio for Television

Next Tuesday, November 15th, the AES NY Section is hosting a meeting on ATSC 3.0. We’re very excited to join AES members and other audio professionals to learn about the new standards in the future of audio for television.

Among the speakers for the evening are Tim Carroll and Jeff Riedmiller from Dolby Laboratories, Stefan Meltzer and Deep Sen from the MPEG-H Audio Alliance, and host Jim Starzynski, NBCU Principal Audio Engineer and Chairman of the ATSC Audio Group.

Please RSVP here to reserve your seat.


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The History & Future of Expressive Electronic Instruments w/ Roger Linn

Next Tuesday, November 8th, the Music Technology program teams up with the NYU Tisch Clive Davis institute and Tandon ​​​Integrated Digital Media to present a panel discussion with iconic instrument designer Roger Linn. Over the last 35 years,  Linn’s drum machines have been a profound influence on hip-hop and pop music, with early adopters such as Michael Jackson, Madonna, and Stevie Wonder.

NYU students are invited to come and learn about the development of Roger Linn’s past work in instrument development, as well as the direction that electronic instruments are heading today. Please visit the Facebook Event Page for more info.

11/8, 7:00-8:30, Steinhardt Room #610

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Music Tech Undergrads design OTB Sound Mural

Vimeo: OTB Sound Mural

As part of their work with Brooklyn studio One Thousand Birds, music tech undergraduate Torin Geller and alumni Matt Lau have helped to create this interactive sound mural. Alongside Jonathan Evans, a Music Composition student also at Steinhardt, the group used conductive paint and Arduino boards (similar to those used in our digital electronics classes) to send data from the painting to a digital wav trigger. Between this project and another with IBM designer Stephen Nixon, the idea has been a hit, and several companies have been looking to get murals of their own.

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A Farewell to Saul Walker

As many may now know, we were saddened to hear that our beloved Saul Walker passed away last Tuesday, October 18th. Perhaps one of the only rocket scientists to work in a recording studio, Saul was one of the most influential figures in audio technology, and by extension, modern recording.

Before starting his teaching at NYU in 2006, Saul spent over 50 years working across the industry, producing electronics first for the U.S. Navy and NASA before founding Automated Processes, Inc (API) with Lou Lindauer in 1968. Those who knew the pleasure of his teaching can attest to his gentle presence, many shocked by his modesty after learning the extent of his influence within the field.

We feel lucky to have learned from Saul for the last ten years, and while the news of his passing will be a difficult adjustment for all of us, we will take his passion for audio technology as we move forward. This year marks an exciting time in our department, with our largest freshman class to date and a surge of extracurricular student involvement. Informed by Saul Walker’s legacy, we’re looking forward to seeing the department evolve through 2017.


SWiTCH Presents Miya Masaoka

March 27th, 2015
SWiTCH Presents Miya Masaoka – 3:30 PM
Guest Speaker: Miya Masaoka

Miya Masaoka will be presenting past works and current works-in-progress on various electro acoustic devices, including lasers, string instruments and computer.

Location: 35 W. 4th St, 6th Floor Conference Room
All are welcome.