Percussion Faculty: Sean Statser

Percussion Faculty: Sean Statser

Performer, composer, and educator Sean Statser (b. 1983) has been called "Lithe, muscular, and mesmerizing" by the New York Times. As an advocate for new music, Mr. Statser actively collaborates with several New York City artists and ensembles including: the Grammy-nominated Metropolis Ensemble, Ensemble LPR, Cadillac Moon Ensemble, Syzygy New Music, Blind Ear Music, Ensemble Moto Perpetuo, and is a founding member of NoiseBox. He has premiered over 50 works to date by composers Jason Treuting, Timothy Andres, Caleb Burhans, Kati Agocs, Vivian Fung, Angelica Negron, John Luther Adams (NY Premiere) and Elliot Carter (NY Premiere), among others.

He has performed with the American Symphony Orchestra, American Composers Orchestra, and Queens Symphony Orchestra as a section percussionist, and has appeared at several venues around New York City including: Lincoln Center, Carnegie Hall, Merkin Concert Hall, Symphony Space, Fisher Center at Bard College, Galapagos Art Space, (Le) Poisson Rouge, and Roulette. Sean has also appeared at the Alba Music Festival, In Tune Music Festival, Ecstatic Festival, three appearances at the Percussive Arts Society International Convention (2007, 2008, 2010), and recently performed with Metropolis Ensemble as part of Lincoln Center’s Out of Doors Festival, under the baton of Maestro Tan Dun.

Sean has recorded with a variety of artists, such as: jazz pianist Kenny Werner (No Beginning, No End - Winner of the 2010 Guggenheim Award), Metropolis Ensemble, Harold Farberman, and Cadillac Moon Ensemble. He has appeared on Naxos, Nonesuch, Orange Mountain Music, Innova Records, Half Note Records, Albany Records and New Dynamic Records. Also active as a composer and arranger, his compositions are available through Bachovich Music Publications.

He received his MM in Instrumental Performance from NYU and holds a BA in Music Performance from Fort Lewis College, where he graduated Summa Cum Laude. His teachers include Jonathan Haas, Simon Boyar, Josh Quillen, and John Pennington. Upon graduating in 2010, Mr. Statser joined the Percussion Studies faculty at New York University. In addition, he serves as Coordinator for the NYU Steinhardt BroadwayPercussion Seminar/Summit.

Listen: Ellipsis Rules - Conrad Winslow
For solo vibraphone and electronics. Commissioned in 2014 by Sean Statser.

Program Note: Pervasive use of ellipses in electronic communication is confusing. But musical ellipses—in harmonies, chords progressions, rhythms, and melodies—can transfix us. "Ellipsis Rules" is a study of these sorts of gaps and omissions.