- Kasprzyk among 9 NYU alums featured in ASCAP's Composers to Watch
- GRAMMY to James Moody: "Best Jazz Instrumental Album, Individual or Group"
- Dosia McKay Celebrates Success at Composer Competition in Poland
- NYU Symphony Orchestra presents Film Scoring Competition Winners 2011
- NYU Film Composers at Le Poisson Rouge
- Current Student and Alums Win at the 2010 ASCAP Foundation Awards
- Current and recent graduates from Music Composition and Film Scoring Program featured on WQXR Radio
- Stefan Swanson and Rashaad Green score at Sundance
- Read Interview with faculty Tim Starnes (Lord of the Rings)
- NYU Film Scoring at the 2008 Tribeca Film Festival
Recent projects produced by the Film Scoring Program include:
NYU AT THE NATIONAL GALLERY
In April 2010, three beautiful silent-era films from Spain featured live musical
accompaniments conducted by Gillian Anderson and performed on two pianos
by Steinhardt alums Max Midroit and Ju-Ping Song. Composers Sergi
Casanelles, Elias Constantopedos, Shruti Kumar, Dosia McKay, Mira Eom,
and Inyoung Park, under the direction of Peggy Parsons, Director of the
National Gallery's Film Division, were commissioned to create period
style scores.
The lively streets, cafés, and neighborhoods of Barcelona provide the
setting for many well-known native artists, musicians, writers, and
cultural icons of the 1920s. The new musical scores drew inspiration
from Catalonia’s composers and reshaped their musical world to create a
new synthesis.
In Playa y Costa Brava (1934), city dwellers embark for the tranquil
ambience of the beach, and The Electric Hotel (1908) provides a
delightful futuristic vision inspired by the renowned "cinémagician"
Georges Méliès. The show, noted in the Washington Post and in press
throughout Spain, was produced by Ron Sadoff and Gillian Anderson.
ORPHAN FILM FESTIVAL (2008 & 2010)
Providing
original music and music editing services, the Film Scoring Program
and the Department of Cinema Studies at the Tisch School of the Arts
collaborated for the 2008 and 2010 Orphan Film Symposiums. For the 2010 Symposium,
film scoring majors Agatha Kasprzyk and Rafaël Leloup composed an
original electroacoustic score for A Trip Down Market Street (1905),
which was performed in a live, accompanied screening at the SVA Theatre
(formerly the chelsea West Cinema and originally the RKO 23rd St.
Theatre). For the 2008 Symposium,
students composed original music for films, including one depicting on
a 1968 protest of Dow Chemical Corporation. In addition, Cinema
Studies and Film Scoring students collaborated on a variety of foreign
films, providing music informed by culturally and historically based
research.
TRIBECA FILM FESTIVAL
In Spring 2008, students had the unique opportunity to compose a collaborative score for the 1929 silent masterpiece TWO TIMID SOULS (LES DEUX TIMIDES),
written and directed by René Clair. The score, presented in two
screenings as part of the 2008 Tribeca Film Festival, was performed live
to film by the NYU Chamber Orchestra under internationally acclaimed
Gillian B. Anderson, a premiere musicologist and active conductor in
silent film score performance.
NYU DOCTOR RADIO on SIRIUS SATELLITE RADIO
Over
twenty Film Scoring students participated in arranging and producing
thematic and 'bumpers' for forty hours per week of live radio
programming. Based on the Lancome Medical Center theme, composed by Ron
Sadoff and Ira Newborn, NYU Doctor Radio can be heard on Sirius
Satellite Radio, channel 114.
RECORDING SESSIONS
Film
scoring composers routinely compose, orchestrate, and conduct small and
large ensembles as well as the NYU Symphony Orchestra. Recording
sessions conducted throughout the year, feature ensembles comprised by
New York City's top-tier studio musicians and our top instrumentalists.
Our recording sessions embody the ongoing collaborative efforts that
draw together programs in Music Technology, Instrumental Performance,
Jazz Studies, and Music Composition.
FILM SCORING in THE DEPARTMENT OF MUSIC & PERFORMING ARTS
The
Department of Music and Performing Arts offers a warm, supportive, and
collegial atmosphere. Students attend master classes with today's
leading professionals. Students enjoy the support of the faculty and
their peers. Our reputation, faculty, and location provide students with
a unique opportunity to develop as composers and performers and to make
the contacts necessary to launch a professional career.
In
addition to programs in Music Composition and Music Technology, the
Department's internationally renowned programs of study in Music
Performance (classical, jazz and music theatre), Music Business, and
Music Education provide a rich and valuable array of elective courses
for film scoring students that prepare them for an ever-changing music
industry and musical climate. All NYU Steinhardt music students also
benefit from the extraordinary opportunities available through the
diverse offerings of a major research and arts university in the
cultural capital of the world, New York City.