Named the #1 Rising Star Jazz Artist of the Year and #1 Rising Star Composer of the Year in the Downbeat Magazine International Critics' Poll for both 2006 and 2007, VIJAY IYER [pronounced "VID-jay EYE-yur"] was described in The Village Voice as "the most commanding pianist and composer to emerge in recent years." The son of Indian immigrants, he is a largely self-taught creative musician grounded in the American jazz lexicon and drawing from a wide range of Western and non-Western traditions. A young musician with a large, diverse, and respected body of work, Vijay is widely regarded as one of "the new stars of jazz" (U.S. News & World Report) and one of "today's most important pianists" (The New Yorker). He was recently added to the prestigious roster of Steinway artists.
Forthcoming in April 2008 are two new discs - Tragicomic under Vijay's name on Sunnyside, and Door, the third album by the collective trio Fieldwork, on Pi Recordings. Previously, Vijay released ten highly acclaimed recordings as a leader or co-leader, including Memorophilia (1995), Architextures (1998), Panoptic Modes (2001), Blood Sutra (2003) and Reimagining (2005) under his own name; Your Life Flashes (2002) and Simulated Progress (2005) as the collective trio Fieldwork; Raw Materials (2006) in duo with saxophonist Rudresh Mahanthappa; and In What Language? (2004) and Still Life with Commentator (2007), his large-scale works in collaboration with poet-performer Mike Ladd.
Iyer has toured worldwide with the ensembles and collaborations featured on these discs - the Vijay Iyer Quartet ("a formidable force... startlingly effective and unflinchingly forward-looking... one of the great rhythm units of the day" - Chicago Tribune); his multidisciplinary projects with Mike Ladd ("unfailingly imaginative and significant" - JazzTimes); the experimental three-piece unit Fieldwork ("a jazz power trio for the new century" - NPR's Fresh Air); and Raw Materials, his longstanding duo with Rudresh Mahanthappa ("a total triumph from beginning to end" - All About Jazz).
His recent engagements as a composer-performer include the Next Wave Festival at the Brooklyn Academy of Music; the Asia Society, Merkin Hall, Zankel Hall, and Alice Tully Hall in New York City; the Bang on a Can Marathon; the Painted Bride Art Center and the Annenberg Center in Philadelphia; the TBA Festival at the Portland Institute of Contemporary Art; the Smithsonian Institution and the Kennedy Center in Washington, D.C.; the New World Theater at the University of Massachusetts, Amherst; the Roy and Edna Disney CalArts Theater (REDCAT) in Los Angeles; Memorial Hall at UNC Chapel Hill; Lively Arts at Stanford University; Lisner Auditorium at George Washington University; the Wexner Center at Ohio State University; The Walker Art Center in Minneapolis; the McCarter Theater at Princeton University; the Max M. Fisher Music Center in Detroit; Cal Performances at U.C. Berkeley; and international music festivals in Paris, London, New York, The Hague, Copenhagen, Barcelona, Rotterdam, Strasbourg, Amsterdam, Toronto, Ottawa, Cheltenham, Ljubljana, Nijmegen, Ulrichsburg, Molde, Victoriaville, Guelph, Atlanta, Newport, Montreal, Vancouver, Victoria, Calgary, Winnipeg, Perth, Melbourne, San Francisco, Seattle, Chicago, Rochester, Verona, and Mumbai.
As a composer/performer, Iyer has received commissioning grants from Meet The Composer, the New York State Council on the Arts, the Rockefeller Foundation MAP Fund, the Mary Flagler Cary Charitable Trust, American Composers Forum, Chamber Music America, and Creative Capital Foundation. He received the prestigious 2003 CalArts Alpert Award in the Arts, is a 2006 Fellowship recipient from New York Foundation for the Arts, and was voted 2004 Up & Coming Musician of the Year in the Eighth Annual Jazz Awards.
Iyer's first orchestral work, Interventions, was commissioned and premiered by the American Composers Orchestra in March 2007 under the baton of Dennis Russell Davies for the ensemble's 30th anniversary gala concerts. It was praised by Anthony Tommasini in The New York Times as "all spiky and sonorous," and David Patrick Stearns of the Philadelphia Inquirer wrote that the piece "immediately proclaimed its importance." Peter Burwasser wrote in the Philadelphia City Paper, "[Iyer] brings it off with a heft and dramatic vision and a daring sense of soundscape."
Other concert works include Mutations I-X (2005) commissioned and premiered by the string quartet Ethel, and Three Episodes for Wind Quintet (1999) written for Imani Winds. He also created the music for Betrothed (2007), an original theater/dance work by director Rachel Dickstein from stories by Jhumpa Lahiri, Anton Chekhov, and S. Ansky; Variety praised "the ravishing live accompaniment of Iyer's sophisticated, raga- and jazz-influenced score" and The New Yorker wrote that "Vijay Iyer's liquid music shimmers throughout." Vijay also co-created the score for the esteemed Ethiopian-American filmmaker Haile Gerima's forthcoming feature, Teza, and for the new public radio documentary series Against the Odds.
Iyer has collaborated in performance and on disc with a wide range of contemporary artists, including Steve Coleman, Roscoe Mitchell, Amiri Baraka, Wadada Leo Smith, dead prez, Amina Claudine Myers, Butch Morris, George Lewis, Miya Masaoka, Trichy Sankaran, Samir Chatterjee, Pamela Z, Imani Uzuri, Will Power, Suphala, Dafnis Prieto, Burnt Sugar, Karsh Kale, Ibrahim Quraishi, DJ Spooky, John Zorn, and many others.
A polymath whose work has spanned the sciences, arts, and humanities, Iyer holds a B.S. in Mathematics and Physics from Yale College, and a Masters in Physics and an interdisciplinary Ph.D. in Technology and the Arts from the University of California at Berkeley. He was chosen as one of nine "Revolutionary Minds" in the science magazine Seed, and his research in music cognition has been featured on the radio programs This Week in Science and Studio 360. He is currently on the faculties of New York University, The New School University, and the School for Improvisational Music, and has given master classes and lectures at California Institute of the Arts, Columbia University, Harvard University, Stanford University, Manhattan School of Music, and Berklee College of Music, among others. His writings appear in Music Perception, Current Musicology, Journal of Consciousness Studies, Critical Studies in Improvisation, Journal of the Society for American Music, and the edited anthologies Uptown Conversation: The New Jazz Studies (Columbia Univ. Press) and Sound Unbound (MIT Press).
SELECTED DISCOGRAPHY
as a leader or co-leader
* 2008 Tragicomic, Vijay Iyer (performer, composer, & producer), Sunnyside Records
* 2008 Door, Fieldwork (performer, composer, and co-producer), Pi Recordings
* 2007 Still Life with Commentator, Vijay Iyer & Mike Ladd (performer, composer, & co-producer), Savoy Jazz
* 2006 Raw Materials, Vijay Iyer & Rudresh Mahanthappa (performer, composer, & co-producer), Savoy Jazz
* 2005 Simulated Progress, Fieldwork (performer, composer, and co-producer), Pi Recordings
* 2005 Reimagining, Vijay Iyer (performer, composer, & producer), Savoy Jazz
* 2004 In What Language? Vijay Iyer & Mike Ladd (performer, composer, co-producer), Pi Recordings (Release date: January 20)
* 2003 Blood Sutra, Vijay Iyer (performer, composer, and producer), Artists House (release date: October 7)
* 2002 Your Life Flashes, Fieldwork (performer, composer, and co-producer), Pi Recordings
* 2001 Panoptic Modes, Vijay Iyer (performer, composer, and producer), Red Giant Records
* 1998 Architextures, Vijay Iyer (performer, composer, and producer), Asian Improv Records
* 1995 Memorophilia, Vijay Iyer (performer, composer, and producer), Asian Improv Records
compilations
* 2004 Juncture (Various artists), Pi Recordings
as a sideman and/or producer
* 2008 The Chicago Project, Matana Roberts Quartet, Central Control (V.I., producer)
* 2007 Lineal, Michael Dessen, Circumvention Music
* 2006 Code Book, Rudresh Mahanthappa, Pi Recordings
* 2006 Her Holy Water: A Black Girl's Rock Opera, Imani Uzuri, independent release (V.I., performer & co-producer)
* 2006 Certified, David Banner, Universal Records (song: "Ridin'" feat. dead prez & Talib Kweli)
* 2005 Mike Ladd presents Father Divine, Mike Ladd, ROIR Records
* 2005 Eclipse (concert film/documentary), Wadada Leo Smith's Golden Quartet
* 2005 Demian as Post-Human, Steve Lehman, Pi Recordings
* 2005 If You Can't Can't Dazzle Them With Your Brilliance, Then Baffle Them with Your Blisluth, Burnt Sugar, TruGroid Records
* 2004 Negrophilia: The Album, Mike Ladd, Thirsty Ear Blue Series
* 2004 Mother Tongue, Rudresh Mahanthappa, Pi Recordings (V.I., performer & co-producer)
* 2004 Not April in Paris: Live from Banlieues Bleues, Burnt Sugar, TruGroid Records
* 2004 The Nostalgialator, Mike Ladd, !K7 Records
* 2004 RBG, dead prez, Sony Urban Music / Columbia (song: "Hell Yeah" feat. Jay-Z)
* 2003 Black Sex Y'All Liberation Bloody Random Violets (2 CDs), Burnt Sugar, TruGroid Records
* 2003 The Rites, Burnt Sugar w/ Butch Morris, Pete Cosey, & Melvin Gibbs, TruGroid Records
* 2002 Song for my Sister, Roscoe Mitchell and the Note Factory, Pi Recordings
* 2002 That Depends on What You Know (3 CDs), Burnt Sugar, TruGroid Records
* 2002 Black Water, Rudresh Mahanthappa, Red Giant Records
* 2001 Blood on the Leaf, Burnt Sugar, TruGroid Records
* 2001 The Ascension to Light, Steve Coleman and Five Elements, BMG France
* 1999 The Sonic Language of Myth, Steve Coleman and Five Elements, BMG France
* 1998 What is the Difference between Stripping and Playing the Violin?, Miya Masaoka, Victo
* 1998 Dark Matter, Eric Crystal, Red Giant Records
* 1997 Orthodoxy, Liberty Ellman, Red Giant Records
* 1997 Genesis, Steve Coleman and the Council of Balance, BMG France
* 1995 Myths, Modes, and Means, Steve Coleman and The Mystic Rhythm Society, BMG France
WRITINGS
* 2008 Book review: "Unlocking the Groove." In Journal of the Society for American Music, forthcoming.
* 2008 "Concerning Late Style in Composers and Improvisors." Program notes to Brentano Quartet Carnegie Hall concerts.
* 2007 "Uncertainty Principles." All About Jazz New York, March 2007.
* 2006 "Sangha: Collaborative improvisations on community." Critical Studies in Improvisation / Etudes critiques en improvisation, Vol 1, No 3 (2006).
* 2004 "Navigation through Form: Composing for improvisors." Program notes for Improvise!, a festival organized by American Composers Orchestra.
* 2004 "Exploding the Narrative in Jazz Improvisation." In O'Meally, R., B. Edwards & F. Griffin, eds., Uptown Conversation: The New Jazz Studies. New York: Columbia University Press.
* 2004 "Improvisation, Temporality, and Embodied Experience." Journal of Consciousness Studies 11(3-4): 159-173.
* 2002 "Being Home: Jazz Authority and the Politics of Place." Current Musicology 71-73: 462-476.
* 2002 "Embodied Mind, Situated Cognition, and Expressive Microtiming in African-American Music." Music Perception 19(3): 387-414.
* 1998 Microstructures of Feel, Macrostructures of Sound: Embodied Cognition in West African and African-American Musics. Ph.D. Dissertation, University of California, Berkeley.
* 1997 Iyer, V., Bilmes, J., Wright, M., and Wessel, D. "A Novel Representation for Rhythmic Structure." Proceedings of the 1997 International Computer Music Conference (San Francisco: International Computer Music Association), 97-100.
* 1996 "Steve Coleman, M-Base, and Musical Collectivism." Published on the worldwide web: http://www.cnmat.berkeley.edu/~vijay/toc.html
Forthcoming in April 2008 are two new discs - Tragicomic under Vijay's name on Sunnyside, and Door, the third album by the collective trio Fieldwork, on Pi Recordings. Previously, Vijay released ten highly acclaimed recordings as a leader or co-leader, including Memorophilia (1995), Architextures (1998), Panoptic Modes (2001), Blood Sutra (2003) and Reimagining (2005) under his own name; Your Life Flashes (2002) and Simulated Progress (2005) as the collective trio Fieldwork; Raw Materials (2006) in duo with saxophonist Rudresh Mahanthappa; and In What Language? (2004) and Still Life with Commentator (2007), his large-scale works in collaboration with poet-performer Mike Ladd.
Iyer has toured worldwide with the ensembles and collaborations featured on these discs - the Vijay Iyer Quartet ("a formidable force... startlingly effective and unflinchingly forward-looking... one of the great rhythm units of the day" - Chicago Tribune); his multidisciplinary projects with Mike Ladd ("unfailingly imaginative and significant" - JazzTimes); the experimental three-piece unit Fieldwork ("a jazz power trio for the new century" - NPR's Fresh Air); and Raw Materials, his longstanding duo with Rudresh Mahanthappa ("a total triumph from beginning to end" - All About Jazz).
His recent engagements as a composer-performer include the Next Wave Festival at the Brooklyn Academy of Music; the Asia Society, Merkin Hall, Zankel Hall, and Alice Tully Hall in New York City; the Bang on a Can Marathon; the Painted Bride Art Center and the Annenberg Center in Philadelphia; the TBA Festival at the Portland Institute of Contemporary Art; the Smithsonian Institution and the Kennedy Center in Washington, D.C.; the New World Theater at the University of Massachusetts, Amherst; the Roy and Edna Disney CalArts Theater (REDCAT) in Los Angeles; Memorial Hall at UNC Chapel Hill; Lively Arts at Stanford University; Lisner Auditorium at George Washington University; the Wexner Center at Ohio State University; The Walker Art Center in Minneapolis; the McCarter Theater at Princeton University; the Max M. Fisher Music Center in Detroit; Cal Performances at U.C. Berkeley; and international music festivals in Paris, London, New York, The Hague, Copenhagen, Barcelona, Rotterdam, Strasbourg, Amsterdam, Toronto, Ottawa, Cheltenham, Ljubljana, Nijmegen, Ulrichsburg, Molde, Victoriaville, Guelph, Atlanta, Newport, Montreal, Vancouver, Victoria, Calgary, Winnipeg, Perth, Melbourne, San Francisco, Seattle, Chicago, Rochester, Verona, and Mumbai.
As a composer/performer, Iyer has received commissioning grants from Meet The Composer, the New York State Council on the Arts, the Rockefeller Foundation MAP Fund, the Mary Flagler Cary Charitable Trust, American Composers Forum, Chamber Music America, and Creative Capital Foundation. He received the prestigious 2003 CalArts Alpert Award in the Arts, is a 2006 Fellowship recipient from New York Foundation for the Arts, and was voted 2004 Up & Coming Musician of the Year in the Eighth Annual Jazz Awards.
Iyer's first orchestral work, Interventions, was commissioned and premiered by the American Composers Orchestra in March 2007 under the baton of Dennis Russell Davies for the ensemble's 30th anniversary gala concerts. It was praised by Anthony Tommasini in The New York Times as "all spiky and sonorous," and David Patrick Stearns of the Philadelphia Inquirer wrote that the piece "immediately proclaimed its importance." Peter Burwasser wrote in the Philadelphia City Paper, "[Iyer] brings it off with a heft and dramatic vision and a daring sense of soundscape."
Other concert works include Mutations I-X (2005) commissioned and premiered by the string quartet Ethel, and Three Episodes for Wind Quintet (1999) written for Imani Winds. He also created the music for Betrothed (2007), an original theater/dance work by director Rachel Dickstein from stories by Jhumpa Lahiri, Anton Chekhov, and S. Ansky; Variety praised "the ravishing live accompaniment of Iyer's sophisticated, raga- and jazz-influenced score" and The New Yorker wrote that "Vijay Iyer's liquid music shimmers throughout." Vijay also co-created the score for the esteemed Ethiopian-American filmmaker Haile Gerima's forthcoming feature, Teza, and for the new public radio documentary series Against the Odds.
Iyer has collaborated in performance and on disc with a wide range of contemporary artists, including Steve Coleman, Roscoe Mitchell, Amiri Baraka, Wadada Leo Smith, dead prez, Amina Claudine Myers, Butch Morris, George Lewis, Miya Masaoka, Trichy Sankaran, Samir Chatterjee, Pamela Z, Imani Uzuri, Will Power, Suphala, Dafnis Prieto, Burnt Sugar, Karsh Kale, Ibrahim Quraishi, DJ Spooky, John Zorn, and many others.
A polymath whose work has spanned the sciences, arts, and humanities, Iyer holds a B.S. in Mathematics and Physics from Yale College, and a Masters in Physics and an interdisciplinary Ph.D. in Technology and the Arts from the University of California at Berkeley. He was chosen as one of nine "Revolutionary Minds" in the science magazine Seed, and his research in music cognition has been featured on the radio programs This Week in Science and Studio 360. He is currently on the faculties of New York University, The New School University, and the School for Improvisational Music, and has given master classes and lectures at California Institute of the Arts, Columbia University, Harvard University, Stanford University, Manhattan School of Music, and Berklee College of Music, among others. His writings appear in Music Perception, Current Musicology, Journal of Consciousness Studies, Critical Studies in Improvisation, Journal of the Society for American Music, and the edited anthologies Uptown Conversation: The New Jazz Studies (Columbia Univ. Press) and Sound Unbound (MIT Press).
SELECTED DISCOGRAPHY
as a leader or co-leader
* 2008 Tragicomic, Vijay Iyer (performer, composer, & producer), Sunnyside Records
* 2008 Door, Fieldwork (performer, composer, and co-producer), Pi Recordings
* 2007 Still Life with Commentator, Vijay Iyer & Mike Ladd (performer, composer, & co-producer), Savoy Jazz
* 2006 Raw Materials, Vijay Iyer & Rudresh Mahanthappa (performer, composer, & co-producer), Savoy Jazz
* 2005 Simulated Progress, Fieldwork (performer, composer, and co-producer), Pi Recordings
* 2005 Reimagining, Vijay Iyer (performer, composer, & producer), Savoy Jazz
* 2004 In What Language? Vijay Iyer & Mike Ladd (performer, composer, co-producer), Pi Recordings (Release date: January 20)
* 2003 Blood Sutra, Vijay Iyer (performer, composer, and producer), Artists House (release date: October 7)
* 2002 Your Life Flashes, Fieldwork (performer, composer, and co-producer), Pi Recordings
* 2001 Panoptic Modes, Vijay Iyer (performer, composer, and producer), Red Giant Records
* 1998 Architextures, Vijay Iyer (performer, composer, and producer), Asian Improv Records
* 1995 Memorophilia, Vijay Iyer (performer, composer, and producer), Asian Improv Records
compilations
* 2004 Juncture (Various artists), Pi Recordings
as a sideman and/or producer
* 2008 The Chicago Project, Matana Roberts Quartet, Central Control (V.I., producer)
* 2007 Lineal, Michael Dessen, Circumvention Music
* 2006 Code Book, Rudresh Mahanthappa, Pi Recordings
* 2006 Her Holy Water: A Black Girl's Rock Opera, Imani Uzuri, independent release (V.I., performer & co-producer)
* 2006 Certified, David Banner, Universal Records (song: "Ridin'" feat. dead prez & Talib Kweli)
* 2005 Mike Ladd presents Father Divine, Mike Ladd, ROIR Records
* 2005 Eclipse (concert film/documentary), Wadada Leo Smith's Golden Quartet
* 2005 Demian as Post-Human, Steve Lehman, Pi Recordings
* 2005 If You Can't Can't Dazzle Them With Your Brilliance, Then Baffle Them with Your Blisluth, Burnt Sugar, TruGroid Records
* 2004 Negrophilia: The Album, Mike Ladd, Thirsty Ear Blue Series
* 2004 Mother Tongue, Rudresh Mahanthappa, Pi Recordings (V.I., performer & co-producer)
* 2004 Not April in Paris: Live from Banlieues Bleues, Burnt Sugar, TruGroid Records
* 2004 The Nostalgialator, Mike Ladd, !K7 Records
* 2004 RBG, dead prez, Sony Urban Music / Columbia (song: "Hell Yeah" feat. Jay-Z)
* 2003 Black Sex Y'All Liberation Bloody Random Violets (2 CDs), Burnt Sugar, TruGroid Records
* 2003 The Rites, Burnt Sugar w/ Butch Morris, Pete Cosey, & Melvin Gibbs, TruGroid Records
* 2002 Song for my Sister, Roscoe Mitchell and the Note Factory, Pi Recordings
* 2002 That Depends on What You Know (3 CDs), Burnt Sugar, TruGroid Records
* 2002 Black Water, Rudresh Mahanthappa, Red Giant Records
* 2001 Blood on the Leaf, Burnt Sugar, TruGroid Records
* 2001 The Ascension to Light, Steve Coleman and Five Elements, BMG France
* 1999 The Sonic Language of Myth, Steve Coleman and Five Elements, BMG France
* 1998 What is the Difference between Stripping and Playing the Violin?, Miya Masaoka, Victo
* 1998 Dark Matter, Eric Crystal, Red Giant Records
* 1997 Orthodoxy, Liberty Ellman, Red Giant Records
* 1997 Genesis, Steve Coleman and the Council of Balance, BMG France
* 1995 Myths, Modes, and Means, Steve Coleman and The Mystic Rhythm Society, BMG France
WRITINGS
* 2008 Book review: "Unlocking the Groove." In Journal of the Society for American Music, forthcoming.
* 2008 "Concerning Late Style in Composers and Improvisors." Program notes to Brentano Quartet Carnegie Hall concerts.
* 2007 "Uncertainty Principles." All About Jazz New York, March 2007.
* 2006 "Sangha: Collaborative improvisations on community." Critical Studies in Improvisation / Etudes critiques en improvisation, Vol 1, No 3 (2006).
* 2004 "Navigation through Form: Composing for improvisors." Program notes for Improvise!, a festival organized by American Composers Orchestra.
* 2004 "Exploding the Narrative in Jazz Improvisation." In O'Meally, R., B. Edwards & F. Griffin, eds., Uptown Conversation: The New Jazz Studies. New York: Columbia University Press.
* 2004 "Improvisation, Temporality, and Embodied Experience." Journal of Consciousness Studies 11(3-4): 159-173.
* 2002 "Being Home: Jazz Authority and the Politics of Place." Current Musicology 71-73: 462-476.
* 2002 "Embodied Mind, Situated Cognition, and Expressive Microtiming in African-American Music." Music Perception 19(3): 387-414.
* 1998 Microstructures of Feel, Macrostructures of Sound: Embodied Cognition in West African and African-American Musics. Ph.D. Dissertation, University of California, Berkeley.
* 1997 Iyer, V., Bilmes, J., Wright, M., and Wessel, D. "A Novel Representation for Rhythmic Structure." Proceedings of the 1997 International Computer Music Conference (San Francisco: International Computer Music Association), 97-100.
* 1996 "Steve Coleman, M-Base, and Musical Collectivism." Published on the worldwide web: http://www.cnmat.berkeley.edu/~vijay/toc.html