About New Plays for Young Audiences
New Plays for Young Audiences is a play development series devoted to the work of the Theatre for Young Audiences (TYA) playwright and the development of TYA plays while also providing NYU students the opportunity to study and experience the process first-hand. Housed in the historic Provincetown Playhouse and supported by NYU Steinhardt’s Program in Educational Theatre, NPYA was founded in 1998 by Lowell and Nancy Swortzell as a supportive space to nurture and evaluate new TYA scripts.
Keeping with the goals of the Program in Educational Theatre, our series offers both students and theatre professionals the opportunity to test new ideas and methods within the field of TYA.
In conjunction with the series, the Program in Educational Theatre runs a graduate course, Theatre Practices: Problems in Play Production, the Development of New Plays, which studies theories and methods of play development utilizing the series as a laboratory. Students in the class both observe rehearsals and interact with the playwrights, directors, and dramaturgs over the course of the series. Also this summer during the same period as the series, the Program in Educational Theatre is running a course, Introduction to Theatre for Young Audiences, which explores the approaches and challenges in writing theatrical works for children. Students will study both classic and current texts.
For some background on how the season is chosen, HowlRound has published "From Soup to Nuts: Choosing a TYA Play Development Season" written by our producer.
20th Anniversary Season (June 4-25, 2017)
Celebrating their 20th anniversary season, New Plays for Young Audiences will stage rehearsed readings of three new plays for young audiences, June 10-25 at the historic Provincetown Playhouse, presented by the Educational Theatre program at the NYU Steinhardt School. The readings are free and open to the public.
Siamese Cycle by Tidtaya Sinutoke is a semi-biographical play-in-cycle of a young Thai artist living in New York City dealing with cultural differences, a language barrier, food preferences, and of course, being an immigrant in this lonely city. Siamese Cycle features many unknown characters with interesting “oriental” names and many well-known historical figures such as Rodgers and Hammerstein and of course Anna Leonowens. TBA directs. This piece is appropriate for ages 13 and up. Rehearsed readings are on Saturday, June 10, at TBD and Sunday, June 11, at 3pm.
John Henry by Elise Forier Edie takes place in various locations around a railroad camp in the Alleghany Mountains a decade or so after the American Civil War. A young African American boy and his best friend, a young Irish American girl, discover the world of discrimination as their fathers struggle to keep their jobs in a burgeoning industrialized world. Karl O’Brian Williams directs. This play is appropriate for ages 9 and up. Rehearsed readings are on Saturday, June 17, at 2pm and Sunday, June 18, at 3pm.
Set in 1934, Dust is a new musical with book and lyrics by Laurie Brooks and music by Paul Carrol Binkley. Jeff Church directs. This historically-situated musical tells the story of two siblings – a 10-year-old brother and 15-year-old sister – hoping for rain and trying to survive along with their family in the Dust Bowl. This play is appropriate for ages 11 and up. Rehearsed readings are on Saturday, June 24, at 7:30pm and Sunday, June 25, at 3pm.
All rehearsed readings are in the Provincetown Playhouse. Tickets are FREE. There are no advance reservations. Tickets will be available at the theatre’s box office beginning an hour before each reading.
In addition to the three readings, NYU’s Educational Theatre Program is thrilled to host a special roundtable event for the New Plays for Young Audiences 20th Anniversary to explore emergent directions in writing and producing works. Panelists include Laurie Brooks, award winning TYA playwright; José Cruz González, a leading Hispanic voice in TYA; Cecily O’Neill, foremost drama in education authority; David Montgomery, Director of NYU’s program and co-author of Theatre for Change; Kathy Krzys, archivist for ASU’s Child Drama Collection; Courtney Boddie, Director of Education/School Engagement at the New Victory Theater, and our panel will be moderated by Philip Taylor, NYU Educational Theatre professor. The event will take place on Saturday, June 17, 2017 at NYU. Email Andrew Gaines for more information.
Auditions for New Plays for Young Audiences's 2017 series will be held in April or May for non-equity actors. Sign up will be online. You will be asked to prepare a one minute monologue and bring a headshot or similar picture. You will need to know your June schedule, including any potential conflicts. Each week's script rehearses 6-10pm Sunday through Friday and on Saturday afternoon or evening. Readings are on Saturday afternoon or evening and on Sunday in the afternoon. Actors can be cast in one, two, or all three weeks, depending on availability and script needs. Students taking the Theatre Practices course can audition for the series, but will be cast in no more than one script. This is an educational experience; no financial compensation is available to actors. We can only accept AEA actors who are current NYU students. All others must be non-Equity.
Call for scripts
Beginning July 1, 2017, New Plays for Young Audiences seeks new unpublished and unproduced full-length play scripts for young audiences (ages 4-21) for our 21st season, June 2018. The final date that submissions for 2018 will be accepted is October 31, 2017.
- In your email submission, please include your name, the name of the play, and where we can contact you.
- Also include in your submission your goals for the week of development – questions about the script you hope to answer, characters you want to further develop, story areas you want to look closer at, etc. Scripts received without goals are automatically disqualified, as this is an important part of our process.
- If you are submitting an adaptation, we ask that you include proof that the original author has agreed to you adapting their work.
- Finally, also rank, from most to least preferred, the development week that works best for you. We cannot guarantee a preferred slot, but this information will help facilitate the scheduling process once scripts are selected. The 2018 series is slated to run June 3-24 in three one-week segments: June 3-10, June 10-17, and June 17-24.
Please note that we only accept previously unpublished and unproduced full-length play scripts. If your script has had a fully produced production, we cannot accept it. We accept musical submissions, but do not generally develop a musical every season. If you are uncertain if your script meets this requirement or believe there is cause for an exemption, feel free to contact us (David Montgomery or Teresa Fisher).
We welcome scripts of any cast size, but are limited to 10 actors due to the size of our stage. If your script requires more than 10 actors, include doubling suggestions with your submission.