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Dave Pietro

Music Associate Professor and Director, Jazz Studies

Music and Performing Arts Professions

212-998-5252

Professor Dave Pietro, a full-time NYU Steinhardt music associate professor of Jazz Studies, has been on the New York music scene since 1987. A native of Southboro, Massachusetts, his talents as a saxophonist, composer, and educator have made him an in-demand musician who has performed at jazz clubs, jazz festivals, schools and concert halls in more than 30 countries throughout Asia, Australia, Europe, North and South America.

Dave is currently a member of the Grammy Award-winning Maria Schneider Orchestra and the award winning Gil Evans Project. From 1994-2010 he played lead alto saxophone and recorded seven CD’s with the Toshiko Akiyoshi Jazz Orchestra. He has also toured and/or recorded with the bands of Woody Herman, Lionel Hampton, Maynard Ferguson, The Village Vanguard Jazz Orchestra, John Fedchock, Mike Holober, Anita Brown, Pete McGuinness, Jim Widner and Arturo O’Farrill. Pietro has performed with may other well known musicians such as Paul Anka, Louis Bellson, Blood Sweat & Tears, Bobby Caldwell, Ray Charles, Rosemary Clooney, Harry Connick Jr., Michael Feinstein, Chaka Khan, Liza Minnelli, James Naughton and John Pizzarelli. Dave has studied East Indian music and performed with various groups led by Indian tablist Sandip Burman.

As a leader, Dave has released six CD’s with musicians such as Dave Holland, Kenny Werner, Ben Monder, Bill Stewart, Brian Blade, Scott Colley, Scott Wendholt, Duduka De Fonseca, Helio Alves and Pete McCann. "Now Becoming Then" (1999 A-Records) was called a “rich feast for listeners” by Bill Bennett of Jazz Times. “Standard Wonder-The Music of Stevie Wonder” (A-Records) was voted one of the top 10 jazz CD’s of 2001 by Bob Blumenthal of the Boston Globe and Bill Milkowski of Jazz Times and received 4 stars from Downbeat magazine. Pietro’s fifth CD “Embrace: Impressions of Brazil” (2004 A-Records) “is a triumph...one of the most satisfying Brazilian jazz mixes since the first bossa nova tsunami” according to Judith Schlesinger of AllAboutJazz.com. He also co-leads an international quartet "The New York-Tokyo Connection" (NYTC) with pianist Jonathan Katz. Their third CD "Live at the Bb-Flat" (Tokyo) will be released in May 2014.

Dave was selected as a semi-finalist for the first two Thelonious Monk Institute of Jazz International Saxophone Competitions (1991 & 1996) and was a finalist in the 1995 JAZZIZ Magazine "Woodwinds on Fire" talent search. In 1996 he was the recipient of a grant from the National Endowment for the Arts. In 2005 and 2007 he received grants from Chamber Music America’s New Works Programs to compose and perform his new extended work “The Chakra Suite” (2008-Challenge)Featuring Gary Versace, Rez Abbasi, Todd Isler, Johannes Weidenmueller and Adam Cruz it was voted one of the top CD's of 2008 by All About Jazz .

Pietro received a bachelor’s degree in music education from North Texas State University where he toured and recorded four albums with the school's One O'Clock Lab Band. He has a Master of Arts degree in jazz composition from New York University where he currently holds the position of Music Assistant Professor of Jazz Studies. Dave has given hundreds of workshops and concerts at schools around the country and is sponsored by D'Addario Woodwinds and the Conn-Selmer Instrument Company.

Programs

Jazz Studies

Pursue your passion for the constantly evolving jazz landscape with advanced performance training and related academic study.

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Courses

Jazz Improvisation I

Graduate level jazz improvisation for instrumentalists. Focus on extensive playing and reviewing of styles from Bop to free Jazz. Material will be distributed through student transcriptions. Emphasis will be placed on the development of technique, mental focus and comprehending new trends in harmonic practices and applying them in playing situations
Course #
MPAJZ-GE 2075
Credits
3
Department
Music and Performing Arts Professions

Jazz Improvisation II

Graduate level jazz improvisation for instrumentalists. Focus on extensive playing and new trends in jazz composition. Music from contemporary modal, tonal and chromatic sources (hybrid or slash chords) will be used as material for improvisation. Advanced rhythmic concepts will also be studied and applied in playing sessions.
Course #
MPAJZ-GE 2076
Credits
3
Department
Music and Performing Arts Professions

NYU Jazz Ensembles

Study and performance of standard dance band literature, experimental jazz compositions, and student arrangements.
Course #
MPAJZ-UE 9089
Credits
0 - 1
Department