Nancy Deihl, Clinical Assistant Professor and Program Director, has been with Costume Studies since 2003. Formerly a curator and consultant in contemporary and modern art, Professor Deihl specializes in the history of fashion from 1850 to the present. At NYU she teaches Literature and Methodology of Costume Studies, Research Methods, History of Textiles, and Contemporary Dress. She has also been adjunct faculty at Fashion Institute of Technology, where she taught courses on fashion and textile history and exhibition practice. She is co-author, with Daniel James Cole, of The History of Modern Fashion (Laurence King, London, 2015). Recent writing and editorial projects include guest editorship and numerous contributions to Oxford Art Online/Grove Art Online; a chapter on the American costume and fashion designer Zelda Wynn Valdes for Oxford’s African American Studies Center and the Oxford University Press blog; and an article on failure in fashion for Vestoj. Deihl is contributing an essay on fashion in the 1920s for an upcoming exhibition on Charles Sheeler. She is currently editing a book on American fashion designers with the working title The Hidden History of American Fashion: American Designers in the 20th Century. Deihl lectures widely on fashion history topics. She received her BA from Rutgers University, and her MA from New York University.
Daniel James Cole received his BA from the University of Washington, and his MFA from NYU Tisch School of the Arts. He is co-author, with Nancy Deihl, of The History of Modern Fashion (Laurence King, London, 2015). Cole is currently writing a chapter about designer Sandra Garratt for an upcoming book on American fashion designers. His areas of expertise include dress history since 1850, the relationship between opera and fashion, religiously motivated dress, and Malaysian and Indonesian dress and textiles. Current research includes hijab customs of Southeast Asia, and transformations of the traditional dress of Dayak and Kadazan-Dusun peoples of North Borneo. Cole presents at academic conferences internationally and has published in the annual journal of the IFFTI (International Foundation of Fashion Technology Institutes). His 2011 paper “Heritage and Innovation: Charles Frederick Worth, John Redfern, and The Dawn of Modern Fashion” appeared in French translation in the journal Search Mode by Institut Français de la Mode, and his paper “Dumpster Chic and Haute Homeless: Placing Brother Sharp in a Fashion Industry Continuum” was presented at the Costume Society of America 2015 Northeast regional conference. Other speaking engagements have included the Dallas Museum of Art, LIM College, and Hofstra University. Cole’s plenary address for the Jane Austen Society of North America 2012 Conference was published in Persuasions On-Line, the society’s journal. He has curated two exhibitions for Opera America / National Opera Center: Martin Palkedinaz: A Tribute (2013) and Divas of the Gilded Age (2015). As a costume designer, his work has been seen off-Broadway, in film, and at opera companies throughout the United States, including Seattle Opera, New York Chamber Opera, Opera Cleveland, and Wolf Trap Opera.
Ann Coppinger heads the Conservation Department of the Museum at the Fashion Institute of Technology in New York City. She holds a Master of Arts degree in Museum Studies specializing in costume and textile conservation from FIT. She was the 2001-2002 National Endowment for the Arts Master Apprentice at the Textile Conservation Workshop in South Salem, N.Y., where she continued as a staff conservator for another four years. Professor Coppinger currently teaches an online course for The Northern States Conservation Center on the care of textiles, in addition to teaching undergraduate courses at Parsons School of Design. Prior to taking her Museum Studies degree, Professor Coppinger worked for 22 years in the fashion industry in New York City. She has degrees in both fashion design and pattern making from FIT, as well as a Bachelor of Science degree in marketing from Saint John’s University.
Tracy Jenkins is a research assistant in the Costume Institute at the Metropolitan Museum of Art and a board member of the Costume Society of America. She received a Master of Arts in Fashion and Textile Studies from the Fashion Institute of Technology, where she co-curated the exhibition "Youthquake! The 1960s Fashion Revolution." Prior to taking her MA, she worked in the exhibition departments of The Museum of Art, Rhode Island School of Design and the American Museum of Natural History.
Elizabeth Marcus is associate director of Galerie St. Etienne in New York where she has worked for over 25 years. She has taught at the Fashion Institute of Technology, Pratt Institute, Sotheby's and The School for Visual Arts. Professor Marcus has lectured widely on the history of 20th century fashion photography and the history of 20th century design. At New York University she teaches courses on Fashion Photography, 20th Century Design, Contemporary Design, and Art Collecting.
Elizabeth Morano teaches the first-year core courses in the NYU Costume Studies program, and has also taught Costume III: Twentieth Century as well as Fashion as Art. Also at NYU, she has been a Gallatin advisor where she conducted tutorials and independent studies. As adjunct faculty at Parsons The New School since 1987, she created and taught various courses in fashion history and theory, with an emphasis on gender and the body. She is the author of Sonia Delaunay: Art Into Fashion (Braziller, 1987). From 1977 to 1992, she held the position of Publisher’s Assistant for The New York Review of Books. Professor Morano specializes in the history and literature of fashion from the early modern period through nineteenth century, with a particular focus on Second Empire dress.
Lyn Caponera’s interest in fashion ranges from design and construction through to the history and theory of costume and textiles. She has held significant fashion industry positions in San Francisco and New York as designer, draper and design room director. Before leaving San Francisco she began mentoring MFA fashion students at the Academy of Art, developing a class in bias draping. Her practice is research based, linking the past to what is currently relevant in fashion. She presented her work The Side-Saddle Skirt in 2016 at the Second International Conference for Creative Pattern Cutting in Huddersfield, England. Having been fascinated by the cut and context of the side-saddle skirt, she argued that this skirt was the first creatively cut garment designed for sport, accommodating the equestrian pursuits of the modern 19th-century woman. Professor Caponera earned her BA in Art from the University of San Francisco and MA from NYU in Visual Culture: Costume Studies. She teaches Modern Textiles at NYU and is also part-time faculty at Parsons.
Drake Stutesman teaches theoretical approaches to film costume design at New York University. Recent publications include the chapter on Costume, Hair and Makeup in Silent Cinema (1895-1927) for the Rutgers University Press Behind the Silver Screen series. Forthcoming work includes a book on the hat as an object (Reaktion Books) and a chapter on Superfly’s costumes in Melodrama Unbound (Columbia University Press). She is writing the biography of silent era costume designer Clare West, and is researching the life of milliner Mr. John. She co-founded, with Nancy Deihl, and runs the Film Costume conference at NYU. She edits the peer-reviewed, cinema and media journal, Framework. Her work has been published by the British Film Institute, MoMA (NY), MoCA (LA), Columbia University Press, Rutgers University Press, Koenig Books, Reaktion Books, Schirmer Press, Indiana University Press and Bookforum.
Faculty list for LIU Palmer School of Information and Library Science.